更高境界

简介：蔚蓝晴空，日正当中，中年男子尼尔与家人在墨西哥的度假胜地，享受奢华的悠閒假期。白天在泳池边小酌，晚餐与乐手暗送秋波，一切都十分惬意，直到手机铃声划破空气。电话那头母亲病况危急，大家只好收拾行李，搭上下一班回国的飞机，不料尼尔在登机口找不到护照，只能与家人分道扬镳。走出机 场，尼尔搭上计程车，开往的却不是回饭店的方向，而是市区的破烂旅社⋯⋯。

简介：金高银将主演韩国首部音乐片[英雄]，饰演目睹明成皇后之死的朝鲜最后一个宫女雪姬。本片由尹济均执导，根据同名音乐剧改编，讲述朝鲜近代史上著名的运动家安重根生命中最后一年的故事。雪姬将收集日本的主要情报，是个积极支持社会事件的坚强角色。本片计划于今年下半年开拍，将在中国、日本、俄罗斯等国家取景。

简介：雷纳德（芭芭拉·贝尔·戈迪斯 Barbara Bel Geddes 饰）从小的梦想就是能嫁给一个金龟婿，做全职家庭主妇，长大后，她和百万富翁史密斯（罗伯特·瑞安 Robert Ryan 饰）相爱，并且最终携手步入了婚姻的殿堂。可是，结婚之后雷纳德才发现，婚姻生活并不是她想象的那么美好，而史密斯也有着不为人知的另一面，雷纳德想要和史密斯离婚。　　雷纳德离家出走了，她宁愿去做诊所接待员，自食其力，也不愿意再活在史密斯的淫威之下。在诊所，雷纳德邂逅了名为拉里（詹姆斯·梅森 James Mason 饰）的医生，两人坠入了爱河，可与此同时，雷纳德发现自己竟然怀孕了。

简介：

小说作家阿真和她的拳王父亲，从小就有很深的隔阂，在父亲离世后，阿真用自己的方式与父亲和解，并且在小说世界中完成了文与武的转换，经历了善与恶的抉择，成功蜕变，为父正名，成为了真正的格斗家！

简介：

《反诈风暴之罪恶来电》由何明翰、姚刚、王瑞子、任伟等演员主演。影片讲述：曾经因电信诈骗入狱的迟海被刑满释放。“老上司”东哥接他出狱，迟海媛媛看着走过来的东哥，嘴边扬起一抹阴笑。东哥表示自己一定不会辜负兄弟当年顶包入狱的恩情，两人假意迎合，却各有算计。迟海计划一石二鸟：报复东哥和抓自己入狱的警察谭帅。 谭帅等人几经努力，层层剥开诈骗大案，不想阴险狡诈的迟海绑架了谭帅的养女童童。警队通过反诈中心与银行、运营商协助办案，跟踪到东哥和迟海的信号，顺水推舟，撒下天网。眼看迟海成功吞掉东哥的钱财并杀死东哥，谭帅将计就计，与迟海展开了一场殊死较量……

简介：

《放映路上》是为建党90周年献礼的重点影片，该片讲述了农村电影放映工作者郭建华，在农村文化战线36年如一日辛苦工作的感人事迹，影片再现了上世纪六七十年代农村露天电影人头攒动的盛况，再现了因电视进入千家万户造成电影萧条的悲凉景象，更反映了新时期农村电影市场复苏的大好局面。

简介：方刚（陆斌 饰）、萧佛（蒋健 饰）和沈金明（王劫 饰）是少管所里新来的三位少年犯，方刚持刀伤人，本性不改，萧佛小偷小摸，惹是生非，只有沈金明是一心一意在此改过自新的。一场意外中，方刚谎称自己吞了剪刀，企图找机会逃跑，然而，当他看到冯队长是如何为了救他而费劲了心机后，方刚被感化了。

简介：笔直的铁路穿过大山的重重阻隔，连通了城市和山村的时空，旅客们乘坐列车匆匆而过，山里的姑娘翘首以盼，憧憬着未知世界的繁华。隧道的另一头，沿着铁轨走来几个笑声朗朗的女孩，她们穿着质朴的白衬衫，乌黑漆亮的秀发一律编成左右两股小辫，斜挎的绣花书包是娘一针一线的慈爱。火车轰鸣的声响让女孩们捂紧了耳朵，而当她们走向站台所停靠着的车厢时，心中又满是兴奋和喜悦。结束了一学期的学业，香雪和伙伴们回到村里。穷人家哪有什么闲暇时刻，爹娘用汗水和辛劳赚取一点点可怜的收入，面朝黄土背朝天，永无止境。香雪和小姐妹们出于好奇接近了火车，尝试着向旅客推销山货特产。从最初的扭扭捏捏，到后来的欢呼雀跃，心驰神往，未知的世界为她们敞开了想象的大门……

简介：

骇人的枪声、离别的眼泪、掩藏的爱意……中共早期党员张人亚成为头号被抓捕对象，他从平民日报社紧急撤离，隐蔽在城郊的小船上。他还有一件秘密任务需要完成。面对昔日战友反目成仇穷追不舍，他如何脱身？他的父亲张爵谦，他触不可及的恋人夏一岚，如何成为他的一束光？他能否顺利保藏党的“力量密码”……背叛虐恋父子情深，谍战枪战一触即发。

简介：大家說，釘仔跳海了，但是他明明就好端端站在我的面前。他用手語對我說：為我辦一場西式的喪禮。我一直不知道該怎麼辦──不管是西式的喪禮，還是自己面對的所有鳥事。事情已經夠多夠亂，偏偏在釘仔一次次的捉弄中，我和阿皓學長愈走愈近……靠，我不懂，阿皓學長明明是釘仔姐姐暗戀的對象，為什麼釘仔要讓我意識到自己喜歡的人，也是阿皓學長──你是來搗亂的是不是？幹嘛讓我發現自己喜歡的其實是男生。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：

戏曲片《孟母三迁》讲述三千年前孟子和他的母亲之间的故事。