464
6.0

向日葵之丘·1983年夏

导演:
太田隆文
主演:
常盤貴子,田中美里,藤田朋子,芳根京子,藤井武美,百川晴香,並樹史朗,烏丸せつこ,別所哲也,津川雅彦,仲代奈緒,斉藤とも子,岡本ぷく,北原雅樹,小池亮介,高嶺正隆,まねだ聖子,岡本洋一
别名:
未知
6.0
464人评分
日语
语言
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上映时间
未知
片长
简介:

背井离乡在东京闯荡的多香子(常盘贵子 饰),虽然一直梦想成为一名卓越出色的电影编剧,但是时至今日她依然名不见经传。某天,她突然接到了一通时隔三十年之久的电话,对方是她高中时代的好朋友绿(田中美里 饰)。此时绿只剩下短短几个月的生命,这一消息无疑令多香子大为震惊。在此之后,她辗转联系上了她们的另一个朋友,和美国人结婚的绘里香(藤田朋子 饰),可是得到的则是冷漠的回应。当初多香子背负着高中时代的悲伤回忆离开家乡,再没有回去看上一眼。因绿的事情,她总算回到了这个依旧积累着无限烦恼的伤心之地。走在熟悉的街道上,往昔美好的记忆相继浮现。三个好朋友曾在当地的名画座欣赏歌舞片,也曾在烧烤铺唧唧喳喳地聊天,还曾暗恋着英俊的前辈。而今等在这里的,却只有悲哀的现实和无法避免的别离……



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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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