一名少年犯罪分子与一位脾气暴躁的魔术师成为朋友,这位魔术师通过手部魔术帮助她驾驭内心的恶魔和功能失调的家庭,在一部涉及不太可能的友谊、悲伤和在最黑暗时刻寻找希望的成年喜剧中。
1982年电影《广东靓仔玉》乃资深武术指导及动作演员徐虾首部执导的功夫片,以民间英雄抗清事迹为背景,由汪禹、黄正利和杨盼盼主演。在这部八十年代出色的功夫片中,出色武打明星汪禹在片中饰演主角何家玉,他的身手灵敏和在电影里有着精湛的演技,由佻皮小子骤变革命英雄,片中以超强功夫班底,打造一场热血的大激斗。 电影讲述反清联盟义士陈贵被清廷高手骆一虎(黄正利饰)所杀,陈妻偕女小薇(杨盼盼饰)避难到广龙镇。镇上何教头(关锋饰)之侄家玉(汪禹饰)好胜佻皮,外号靓仔玉,因救小薇而识破了张老师(任世官饰)为反清联盟南方二舵主的真正身份。後陈妻和张老师等人逐一被杀,家玉决往找骆一虎报仇…… ? 出品人:邵逸夫 ? 制作人:黄尧 ? 监制:方逸华 ? 导演:徐虾 ? 副导演(助理):关耀荣;周振荣 ? 编剧:李百龄 ? 摄影:张海 ? 配乐:成锦荣;苏振厚 ? 剪辑:姜兴...
Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.
经历了上一集的风风雨雨,艾利克斯(林子祥 饰)和朱丽娥(郑裕玲 饰)总算是两情相悦走到了一起。他们决定在新年之后携手步入婚礼的殿堂,然而,在此节骨眼上,艾利克斯被公司紧急召唤加班,两人本来温馨愉快的假期生活泡了汤。 乔伊(张曼玉 饰)是艾利克斯的同事,两人双双被派往巴黎出差。爱人不在身边,这让朱丽娥感到十分没有安全感,再加上表哥(许绍雄 饰)的挑拨离间听风就是雨,心态爆炸的朱丽娥决定也前往巴黎,看好自己的未婚夫。一连串的误会让朱丽娥和乔伊之间的关系跌破了冰点,她和艾利克斯的感情也因此产生了裂痕。
菲洛梅娜·坎克深入探讨生活中的深刻问题,从宇宙大爆炸到人工智能等主题展开研究,与学者和创意人士交流,同时以她标志性的误导性观察进行解读。
讲述了一品爵爷陈绳武与顺治皇帝落入了穆里玛的圈套当中流落民间,恰好来到了滇南王的地盘并在认识了滇南王的未婚妻夜莺,为了拯救夜莺和顺治陈绳武与滇南王吴大帅及其子吴少保往来周旋的故事。
A year in the life of a singular family. Sasquatch Sunset is, indeed, an utterly singular filmmaking feat. Deploying a daring approach with ferocious commitment, David and Nathan Zellner’s imaginative work captures quotidian sasquatch life with detail and rigor that is simply unforgettable. The Zellner brothers continue their longstanding contributions to the Sundance catalog w...
广袤无垠的非洲大陆,现代文明与原始社会和谐共存。在离现代大都市六千公里的卡拉哈里沙漠腹地,生活着仍未受到外来文明影响的布须曼人。他们刀耕火种,狩猎农作,过着与世无争、敬畏自然的平静生活。某天,一支来自现代文明的可乐瓶打乱了他们一成不变的日子。最先发现瓶子的基(N!xau 饰)将其带回部落,族人惊叹可乐瓶子的完美构造和繁多的用途,认为这是上帝赐予他们的礼物。可是兴奋的心情很快为别样的情绪所取代,习惯了平等共有的族人开始想要将瓶子据为己有,矛盾悄然而生。基不愿看到族人发生争吵与殴斗,于是决定将可乐瓶还给上帝,只为恢复曾经平静快乐的生活…
为了挽救儿子的期末露营之旅,这位单身母亲充当起了校车司机,并试图向儿子证明自己真的可以成为一位酷妈。
The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home. Writer-director Megan Park’s tender, surprising sophomore feature cleverly uses its high-concept premise of a visit from one’s future self to launch a refreshing, nuanced exploration of the uncertainties of young romance and coming of age. My Old Ass is a sweet teenage love story, a lively contemporary comedy, and a quirky riff on time-travel films all in one. Maisy Stella and Aubrey Plaza have a terrific unlikely chemistry, as the sass and self-assuredness of the young Elliott, as played by Stella, blends and overlaps with Plaza’s sardonic humor as a more mature Elliott. The care and affection shown in the film’s depiction of Elliott’s rural hometown in her last days before taking off for adulthood visually highlights her emotional journey, evoking a nostalgia for days that haven’t even ended yet.—HZ