迷城

简介：故事取材自当时的一则新闻报道，描写人民解放军某营在行军休息时，一个刚刚参加革命的小鬼（马德明）因擦枪不慎走火，打死了一个老农民（陈强）的小儿子。为了严肃革命纪律，部队组织决定让小鬼偿命。 第二天在群众大会上宣布执行这一决定时，老农民却跑上讲台，要求连长（于洋）和指导员不要执行。因为老农民经过一夜的思考后，他从自己的亲身经历里对照了他过去所受的反动派的压迫和现在解放后的幸福生活，深深感到解放军就是自己的军队，要是没有解放军，就没有自己的翻身；而且小鬼也是穷苦人家的孩子，是自已阶级的子女，他的爸爸也是给反动派杀害的。老农民说：“不要枪毙小鬼，让他去打蒋介石反动派吧！”老农民的话感动了所有到会的群众，他们一致要求把小鬼留下。部队组织同意了群众的意见。老农民并把小鬼认作自己的义子。后来小鬼在战斗中立了功，受伤住在医院里。影片是以老农民去医院探望受伤的小鬼作为开头，用倒叙的方法来展开故事的。

简介：Jung-seo, an artist who draws vampire webtoons, heads to her father, Young-joo, who runs a restaurant in Mukho Port in Gangwon-do. She brings a saxophone that her mother, Mi-young, had kept as an IOU symbol. There, Jung-seo gets tangled up in her family members' unfamiliar desires. As she confronts her roots and shaky presence, Jung-seo makes a choice for herself.

简介：20岁的茉莉因患病被告知仅剩10年寿命。为了不对活着这件事抱有执念，她决定不再恋爱。直到她在同窗会遇到了和人...　　原作者小坂流加和主人公茉莉一样身患绝症，并于2017年2月文库本发行前夕离世。

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随着时代进步和经济的发展，人们的生活条件越来越好。城市之中，各类豪华写字楼和民用大厦拔地而起，构成了一望无际的都市森林。然而，随着土地的减少，人们赖以生存和活动的空间所剩无几。张小山（张一山 饰）是...

简介： 一年一度的农历春节来临，生活在东北农村的程家老两口（李保田 & 赵丽蓉 饰）满心欢喜地等待儿女回家过年。去年的团圆饭不...

简介：

孩子们在偏僻的乡间别墅失踪后，这名深陷离婚泥潭的父亲开始了一项危险的任务。

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1990年代，某城市。艾菲（石兰 饰）在时装店当导购，她天生一副好嗓子，无奈天生羞怯。男友高大龙（常戎 饰）是出租公司司机，他不忍埋没艾菲才华，在一次卡拉OK唱歌时认识了蓝宝石夜总会歌厅经理吴极（景岗山 饰），吴力邀艾菲接受正规演唱训练，不久艾菲便崭露头脚。随着艾菲名气越来越大，大龙自感配不上她，主动提出分手，艾菲贪恋与大龙青梅竹马，把初夜献给了大龙。某夜演出完回家，艾菲路遇流氓袭扰，大龙挺身相救，不料误杀一名路人，虽然有夜总会总经理韩少义为其多方开脱，大龙仍以过失杀人被判刑五年。艾菲离开夜总会返回时装店，整个人变的少言寡语，但不久她又重返歌坛，目的只有一个，拼命赚钱，因为她的全部心思都飞到了大龙劳改的农场......

简介：影片以彭德怀同志在“文革”前和文革刚开始的经历为主体，不断穿插闪回各种历史片断，用传记片的手法反映了他富有传奇色彩的一生，使观众对他光明磊落、胸怀坦荡、刚正不阿德个性和雄才大略有了一个全面直观的认识。影片从历史的真实面貌出发，并没有将主人公神化，而是将一个有血有肉可亲可敬的领袖人物全面的展现出来。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：影片讲述狱警王向春为了更好的尽孝瘫痪的父母，放弃进京工作的机会，以超凡的毅力和孝心，十二年如一日地精心侍奉二老。在事业、家务双重的压力下，他以惊人的魄力和耐力，创作了《监狱中队管理学》《孝子警官日记》《黑手伸出高墙》《明天谁坐牢》等学术论文和长篇小说，他先进的孝道事迹诠释了中华民族传统慈孝的高尚美德。电影立意高远，构思巧妙，线索清晰，情节既来源于监狱工作的事迹案例，又有强力的艺术效果，是一部反映忠与孝的影片。

简介：年轻的站街男受雇于寂寞的中年男子乔纳森，以布兰登的身份陪乔纳森，从加州三藩市一路前往亚利桑那州大峡谷，开启一段性感而充满悬念的公路旅行。角色扮演的癖好、偶然发现的旧照片、记忆的平行线……当本应照亮回忆的烛火越发炽烈，到底该趁早掐灭，还是放任它燎尽逝去的美好？

简介：五个朋友在德国一个偏僻的地方长大，在即将完成学业之际，他们面临着重大的人生抉择——是留下，还是离开小镇去寻找广阔的天地。他们深入挖掘、了解彼此，却又若即若离；他们彼此相爱，却也爆发争执。影片虽是常见的青春和成长议题，但这部导演处女作以复古的画幅比例与独特的视角切入，辅以不落窠臼的角色塑造，用暴力、爱和孤独的碎片铸成万花筒，窥见相伴而行的亲密与痛苦。