572
10.0

别叫我赌神粤语版

导演:
潘耀明
主演:
周润发,袁咏仪,柯炜林,方中信,廖启智,安志杰,黄德斌,白只,蔡一智,卢慧敏,王菀之,方平,黎彼得
别名:
未知
10.0
572人评分
粤语 / 汉语普通话
语言
未知
上映时间
未知
片长
简介:
吊儿郎当的吹牛辉(周润发 饰)答应暂时照顾昔日恋人李夕(袁咏仪 饰)的儿子李阳(柯炜林 饰),代价是十万。后来发现是他亲生子且患有自闭症。从此改变了一生。当父子感情递增之际,迎来了李夕病逝消息。辉哥决定扛起做父亲的责任,带着儿子奔向人生新一页。
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简介:

三峡建设工作正在进行中的奉节县城,迎来一男一女两个山西人。   男人韩三明(韩三明 饰)来自汾阳,是名忠厚老实的煤矿工人,来奉节为寻十六年未见的前妻。前妻是他当年用钱买来的,生完孩子后跑回了奉节。寻找前妻的过程中波折不断,韩三明决定留下来做苦力一直等到前妻出现。女人沈红(赵 涛 饰)来自太原,是名沉默寡言的护士,为寻多日不曾与自己联系的丈夫而来奉节。丈夫与她的夫妻关系早已是有名无实,这点她虽然深知,仍想让丈夫当面给她个说法。沈红的找寻过程也不是一帆风顺,丈夫在有意无意地躲着她。韩三明和沈红虽不认识,却因为要做相对意义上的“拿起”与“舍弃”抉择,在冥冥之中有了某种神秘的联系。   本片荣获2006年第63届威尼斯国际电影节金狮奖。

845
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简介:电影《火红的杜鹃花》根据“全国模范检察官”程建宇事迹改编。影片女主人公创作原型程建宇身患严重疾病,20多年来多次生命垂危,却始终以满腔热情拥抱生活,以昂扬斗志与病魔斗争,以坚韧毅力带病工作,在平凡的工作岗位上做出了不平凡的业绩,用拼命工作拉伸了生命的长度和厚度,赢得了人民群众的普遍赞誉。  影片从女检察官程心阳提讯未成年犯罪嫌疑人大虎、二虎开始,两兄弟到小贩郭天龙家讨要被骗走的恐龙化石,争执中,身患高血压的郭奶奶意外倒地死亡,到底是入室抢劫,还是过失致人死亡,程心阳带病坚持调查、取证,安慰孩子的母亲相信法律:“这法律是公正的,你要相信法律,该是什么就是什么,哭闹是不解决问题的。昨天我已经见过他们两兄弟了,都挺好的,放心吧,在里面不会让他们受什么罪的。”  最终,程心阳不仅证明郭奶奶死亡的真正原因是突发脑出血,大虎二虎被从轻处罚,以优异的成绩分别考上了重点高中和省足球队,而且还通过恐龙化石的线索破获了特大文物走私案件,追回珍贵的鹦鹉嘴恐龙化石。
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不安分的年轻人们
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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
291
1958
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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