军火厂

知道未婚夫出轨的直子，被拥有不可思议魅力的同事山口纱季盯上，开始了匹配应用程序。与各种各样的男人相遇，一边接受金钱，一边反复进行临时约会的直子，一天比一天华丽起来。注意到自己的样子逐渐变得像山口而动摇，但也不能停止。这样一来，直子产生了不安也被消除的错觉，渐渐迷失了自己，陷入了更加不安的漩涡中。

“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.”
　　The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

First-time feature director and award-winning comedian Simon Glassman comes to Fantasia with the cosmic horror, BUFFET INFINITY! Picking from hundreds of hours of original, low-budget TV ads, Glassman tells the sinister tale of two restaurants battling it out in the town of Westridge County. Insurance ads, used car rivals, and plugs for a local religious scholar and recording artist, Langdon P. Hershey, all converge to tell the story of an expanding sinkhole, a cult, and an ever-growing restaurant that becomes unsettlingly sentient.

哀牢山灵异事件轰动一时，来自六名露营的高校学生，前往云南哀牢山原始森林。谁也没有想到一次平常的露营探险任务，竟然成了一次诡异的死亡序曲。他们进入哀牢山地带仅仅过去几天，就全部无人生还。比较离奇的是，当搜救者发现这几位遇难者时，有两位遇难者的死状非常诡异！

影片讲述麦克在儿子万圣节游行失踪一年后，与分居妻子共同追查线索，发现每年万圣节浮现的复仇之灵会绑架儿童，必须在有限时间内解救儿子以免其永困幽灵世界。