探险日志

简介：山姆不仅是个即将起步的政坛明星，更是个爱家的好男人，但是当他误闯了一夜情的桃色诱惑里头，原本一手掌握的大好前程，将随着性丑闻流出之后，跟着全面崩盘...。

简介：本片围绕四位女性的故事所展开。在印度的乡村，一个从头到脚裹着罩袍的女大学生有着与众不同的信念，一直梦想着成为一名流行歌手；一个年轻貌美的美容师想要逃离小镇的“禁锢”，渴望自由；一个有着三个孩子的家庭主妇不愿只是做一个生孩子的机器，她渴望过上别样的生活；还有一个55岁的寡妇幻想能与英俊帅气的男人有一段罗曼史。在这个守旧的社会中，四位女性渴望打破现实的枷锁，为独立自由而奋斗。

简介：脱衣舞娘花天娇（吴家丽 饰）和智障少年泡饼（王喜 饰）因为警方的扫黄打非而丢掉了工作也失去了住所，无奈之下，两人只得靠着行骗为生。泡饼因为智商上的缺憾无法独立生活，非常的依赖花天娇，常常让花天娇感到非常的头疼，但与此同时，两人之间却拥有着十分坚实的亲情。　　早年间，花天娇与脱衣舞场大哥龙头阿坤（钱小豪 饰）之间有一个私生子，然而，冷酷无情的阿坤将这个孩子卖掉了。这么多年来，花天娇没有一天不想念自己的儿子，也从来没有放弃过寻找儿子的下落。花天娇唯一知道的线索是，儿子的屁股上有一颗朱砂痣。

简介：

一个人被过去痛苦记忆折磨的男人，逐渐发现或许时间并不是他所认为的敌人。光阴似箭，史蒂夫再也无法逃避他过去的梦靥，没有什么能停下他脑海中的噪音。面对世界的分离崩析，史蒂夫希望能扭转命运。 他找寻着自己孑然一身的缘由，或许还有希望。

简介：导      演赵力军　　编      剧孟瑶　　主      演王菁华、刘冠军、刘交心、潘婕　　片      种故事片　　类      型剧情、情感伦理、犯罪　　出品单位北京天禾兄弟影视投资有限公司　　长      度90分钟　　出品年代2010　　剧情简介　　一个刑满释放的老贼发誓一定要给结巴的大龄儿子找到一个合适的对象。一个上小学的男孩为了给即将失明的姐姐治疗眼睛，甘愿走上偷盗的道路。　　当老贼发现男孩要偷窃的时候及时地将其拉回了犯罪的边缘，但在帮助男孩的时候却意外发现自己儿子在婚姻问题上的一个秘密。当男孩拿着老贼帮着凑够的治疗费到医院的时候，却发现巨款丢失，这时候老贼却接到了一个神秘的电话…… 　　老贼冒着危险终于从过去的敌手那里追回医疗费为女孩治好了眼睛，但是当女孩看到光明之后，却又突然揭开了一个惊人的真相……

简介：讲述了男主角安东万与前女友卡米耶分手五年后，贸然拜访，发现卡米耶有一个五岁的女儿埃尔莎。卡米耶正要出差，保姆迟迟不到，于是她拜托安东万帮忙照顾埃尔莎，直到保姆过来。然而保姆没有现身，安东万和埃尔莎做游戏，买东西，但是出门慌乱之际，安东万忘带了卡米耶家的钥匙，所以只能把埃尔莎带回了自己家。二人相处得非常愉快，还分享了名叫《大象与小蝶》的故事，安东万带着埃尔莎去海滩，玩得非常开心。他一直不敢把自己是埃尔莎父亲的事实告诉给埃尔莎，但是小埃尔莎却感觉得到安东万就是自己的爸爸。同时，...

简介：到底这部青年人制作是否就是片中自谑「那些每日特别放映一场的闷戏」？陈家乐饰演的怀才不遇电影学院毕业生自中学恋上同是戏剧学会的成员阿殷（乐队坏碑唇主音Yuki），但青涩爱情能否经历成长考验？于美国UC Berkeley MBA毕业的周永恒一年来见工数十份却无一成功，到底是不幸还是真正「高分低能」？中学生刘振安恋上年长四届学姊陈嘉宝，日夜思考相遇是遇然还是命运，单向倾慕能否一日开花结果？ 《超级巨星》陈康健接手亲戚留下来的乐器铺，纵有不凡歌唱技巧，歌手梦却被家人极力反对，最终应面对现实还是继续寻梦？四位年轻人相遇相知，迷茫渡日却最少曾经青春过。再看客串的善良班主任梁雨恩、看破世情的训导廖启智、甚或放弃了音乐理想的刘以达，这部剧情长片都给人一种独特清新感觉。

简介：A family of cooks who cater a wedding in the countryside.

简介：60年代初，从美国留学回来的科学院博士耿尔满怀报国热忱，有一天在外文书店碰到了纺织女工薛晴。他被薛晴的的美丽和质朴吸引，薛晴也被耿尔的才华所折服。两个人都沉浸在幸福当中的时候，文革开始了。薛晴受到了种种政治上的冲击，耿尔则被下放参加劳动。有人给耿尔介绍了一个对象，桂林的小学老师小金。他们见面了，觉得很满意，渐渐地也相爱了。但是由于家庭出身的原因，他们两个还是不能结合。很多年后，当耿尔再见到薛晴的时候，她已经是个中年妇女了。小金也出现了，但是她已经嫁给了一个她不爱的人

简介：The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom

简介：精神科医生试图在暴力攻击后，通过寻求修复一个新病人的生活，使他的生活恢复在一起，但他有自己的可怕的历史。

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.