影片讲述了一位少年在动荡的童年中长大，母亲又突然失踪后，他踏上了寻母之旅。这不仅是对母亲下落的追寻，更是他探寻身世真相、寻求内心释怀的过程。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
覃城炮火连绵，时局动荡。女医学生映雪为寻找失踪的孪生姐姐，只身闯入城郊死寂阴森的杨家祖宅。这宅子空荡破败，举止怪异的太太、疯癫的房东、神出鬼没的聋哑仆人，处处透着诡异，让她寒意彻骨。宅内怪事频发，突然转头的诡异娃娃、深夜传来的恐怖童谣、阴影中自己和自己翻花绳的小女孩，悄然落在肩头的长发，冥冥之中有什么在召唤着她。她逐步发现姐姐应是命丧于此，而前来寻血亲的自己已成为恐怖游戏中房东太太的下一个“食物”。
演职员
一群年轻人前往丛林露营，试图修复彼此因家庭悲剧而破裂的关系。斯科特与朋友走散后，意外坠入十米深的尖刺陷阱，腿部被刺穿，被困其中。他尝试呼救、自救，却发现陷阱外的猎人正以他们为猎物，在丛林中展开猎杀。他只能利用身边的一切资源，对抗身体的剧痛与心理的恐惧，同时躲避猎人的追捕，同行的伙伴们也在丛林中接连遭遇不测，这场露营之旅早已变成一场致命的生存游戏。
影片讲述了因不明感染事件而被封锁的建筑内，孤立无援的幸存者们对抗以无法预测形态进化的感染者的故事。
