造房子的人

简介：代表着七宗罪“愤怒”的坠落天使Bruce失魂落魄地徘徊在城市钢筋水泥的丛林里。在一个天使般的小女孩儿引领下，Bruce展开了对同为坠落天使的“嫉妒”，“色欲”，“贪吃”，“傲慢”，“懒惰”，“贪婪”的猛烈攻击，并将象征他们力量的斑彩宝石集齐转化成打开天堂大门的钥匙。然而，所发生过的一切不过是一个幻象，一个巨大的阴谋才刚刚开始。

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讲述一个电影人和女友参加了电影首映庆功会后回家，影片成功在望，名和利唾手可得。而这个美好的夜晚在关于两人关系的一些东西开始曝光后突然转变，考验他们之间爱的力量。

简介：讲述的是寡妇林秀妹抚养两儿成家后，发现自己曾经“被需要”到现在“无关紧要”的现实转变，她陷入疑惑。而小她十岁的唯一老姐妹青娥的突然离世给了她巨大触动，已过七旬的她决定要在死神来临之前再次证明自己价值与存在感。在人的帮助下，在“魂”的引导下，在“神”的指引下，她挑战了一项不太可能的任务。在寻回丢失的自我的过程中，林秀妹重拾回家人们的再度重视的愿望真能如愿成真？

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美国黑人特洛伊（丹泽尔·华盛顿饰）曾是一名棒球希望新星，却因为一次意外的抢劫杀人案而入狱，当时美国职业棒球大联盟种族隔离政策还未完全废除，黑人登场机会很少，加上特洛伊出狱后年纪也大了，因此他的棒球生涯就此结束，沦为匹兹堡的一名环卫工。该片还讲述了特洛伊与妻子、儿子和朋友的复杂关系。

简介：本片分上下两集，讲述了位于湘、粤、桂三省交界处的芙蓉镇上，人称“芙蓉姐”的漂亮女人胡玉音（刘晓庆）在“四清运动”及“文化大革命”中的遭遇。　　1963年，凭着热情周到的服务，胡玉音与丈夫桂桂（刘利年）经营的米豆腐摊子前渐渐成为早市上最热闹的一道风景，加上夫妻俩省吃俭用，手中积攒了一 笔数目可观的财富。镇党支书也是胡玉音干哥的黎满庚（张光北）、粮站主任谷燕山（郑在石）及乡邻们都为他们高兴。当他们盖好新房准备日子更上一层楼时，迎上“四清运动”，一直嫉妒胡玉音的原国营饮食店经理、今县商业局科长李国香（徐松子）与二流子王秋赦（祝士彬）联手，趁机将她定性为“反革命五类分子”中的“富农婆”，将之派去与原县文化馆馆长、今被人称作“秦癫子”的“右派”秦书田（姜文）一起清扫大街，桂桂身亡。运动中黎满庚昧着良心将胡玉音背叛，谷燕山则一直以老革命军人的标准诚实做人。　　1966年，“文化大革命”开始，世道的荒谬从不停调换角色的李国香与王秋赦两人身上便可窥见。一起扫街时，胡玉音将自己的悲惨遭遇归罪于秦书田，后者曾在她与桂桂成亲之时唱了后被认为反革命的贺喜歌、在她新房子建成之时写了后被认为反革命的贺喜联。对于胡玉音的怨恨，秦书田并不多做辩解，相反时常暗中将她帮助。慢慢地，两人生出感情，计划着成为一家人好好生活，但前路充满血风腥雨。而在他们最艰难时，谷燕山从没忘伸手一帮。

简介：內容簡介  本片分三個單元故事　　(一) 除夕 靜然發覺丈夫偉立與好友 Angie 有染, 心感不快. 偉立在人前與她假扮恩愛, 背後卻冷落她. 除夕夜, 靜然刻意打扮更被搭訕, 但她決定回家等待偉立. 靜然誤搭賊車, 被挾持入屋行劫. 十二時正, 偉立沒回來. 靜然與賊匪發生關係作報復.　　(二) 前世冤 冬冬常大發醋勁, 不讓基明往見工作伙伴 Lindy. 冬冬要求與基明結婚, 基明不願. 翌日, 冬冬搬離. 冬冬誤會基明, Lindy 有私情, 一怒下離去. Lindy 開始與基明同居, 但基明發現自己最愛冬冬. 往機場找冬冬的基明被控超速, 冬冬出現保釋, 兩人結婚.　　(三) 盟 安國與韋回港結婚, 國回故居, 看見已死去的未婚妻沈香榆, 榆要求國履行他的盟約. 韋感國不對勁, 懷疑榆鬼魂作崇. 榆欲殺韋, 國阻止, 並記起他曾立下這輩子不再結婚的承諾, 遂留下韋, 與榆駕車一 起墮崖.

简介：改编自Youtube原创剧集，讲述两个朋友在街头争斗中成为对手的故事。

简介：有“地狱倒霉鬼”之称的李加乘出生二十多年来几乎诸事不顺，对人生失望已极的加乘再次周期性自杀，而这次失败的自杀却使他结识了新朋友何红申，以及美丽的护士小姐夏天。加乘向夏天表达爱意，但同时又担心对方会因为自己而倒霉——李加乘的晦气太重以至于所有对他好、或是受他帮助的人也会连带走霉运。当加乘与夏天的哥哥——赌术高手春天相遇后，他的霉运却成为赌场上唱衰对手的不二法宝，春天与加乘搭档，将宿敌大口九的赌场生意连连逼退，大口九反戈一击，将加乘绑架又买通春天手下，誓要致二人于死地…

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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简介：以采访梦境的形式串联在韩打工的外乡人的群像，通过他们身在异乡为异客，异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外

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杰西·欧文斯在1936年柏林奥运会包揽四块金牌创造三项世界纪录，以成绩嘲弄了阿道夫·希特勒的种族歧视言论成为佳话。