390
2.0

只有我没有猫

导演:
복운석,신혜진
主演:
金昭熙,许政度,权秀贞,金基天,金希澈,南砚友,김그림,오지운
别名:
未知
2.0
390人评分
韩语
语言
未知
上映时间
未知
片长
简介:
電影由四段故事組成,熱戀的情侶領養了一隻貓叫小愛,分手後小愛該何去何從?第二隻是浪浪小福。與家人分隔兩地又失業的男子遇到小福,從此成為彼此的依靠。第三隻是名為秀妍的貓,獨生女秀晶的朋友們都有養寵物,孤單的她每天回到空蕩蕩的家中,媽媽卻說家裡不能養貓…。第四隻是順子的故事,患有老年痴呆症的爺爺,一點都不歡迎家中的不速之客,但門外不絕於耳的輕聲呼喊,我的順子回來了…。
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花楸故事
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简介:花楸村小学的老师王彩骑着他的小三轮从县上接回了他们村小学新来的支教老师谭文君。谭文君是省城的大学生,她的父母给她安排好了的工作被她拒绝了,她选择了到花楸支教。王彩带着谭文君介绍参观了他们的学校,并向孩子们介绍了他们的新老师,气氛非常融洽。花楸村的甘老头是个做风筝的高手,更是个种茶的高手。村长带着闷葫芦为讨好甘老头做了只风筝送给他,但甘老头却不领情。谭文君已经开始了她的教学生涯,村长代表村上接待了她,村长对这个与他年龄相仿,年轻漂亮的谭老师来到他们村上支教感到很是兴奋。谭老师与村长两个年轻人第一次见面之时的眼神碰撞也是多了一份尴尬。王彩把自己的房间腾了出来给谭文君住,而他则回到了自己的老宅,老宅应很久没人住了,布满了蜘蛛网,也没有通电。谭文君住进了王彩老师的房间,从满墙的奖状才发现了王彩老师身上的故事。王彩一直默默无闻的在这个偏僻小村工作了一辈子,教育了一代又一代的人,这些都让文君很是感动。谭文君与孩子们的相处非常融洽,她也开始融入了她的这个职业及新的生活。正在这个时候她的男朋友从省城过来看望她。带来了一些他的境况,一些生意上的得失。让文君感慨颇多。文君父母也来看望她了,他们在城里找关系给文君安排了一个很好的工作,被文君拒绝。因为她已然舍不得这里的孩子们。而且面对村长、王彩他们的请求她也无法拒绝。文君留下来了,给孩子带来了无比的欢乐。村长搞的种茶开发也有了一定的进展。而就在此时,王彩却也常年劳累留下的顽疾夺走了他的生命。整个村都陷入了悲痛。谭文君更是。她以王彩为自己的精神向导,然而这一刻,她的精神却崩塌了。村上举行的隆重的葬礼,悼念他们尊敬的王老师。谭文君的父母也来了。在沉重中,文君选择了留下接替王老师的信仰。她的父母也从内心里应允、认可了她。葬礼过后,文君勤勤恳恳的带着整个村上的孩子们努力学习。村长跟闷葫芦也从甘老头那要到了种茶的秘方。花楸村开始了他们新的生活。
85
2010
花楸故事
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萨乐美
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4.0
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4.0
更新时间:2026年03月16日
主演:艾拉·娜兹莫娃
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
2368
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