丧尸病毒爆发已经五年了，人们渐渐觉得丧尸的威胁开始减弱。R-Division部队里的男人和女人们，发现了丧尸病毒二次爆发的迹象。如果这种情况真的发生，那么人类可能面临无法生存的境地。Because this project is categorized as being in production, the data is subject to change; some data could be removed completely.
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
热带小岛，一座未完工的酒店正建在古老的禁忌之地。施工惊醒了沉睡千百年的蛇群，一场人与自然的血腥对抗悄然拉开序幕。陈峰、白玲带着六岁的女儿乐乐来到这座海岛，试图用最后一次家庭旅行挽救濒临破裂的婚姻。女儿乐乐患有某种感官障碍，却对这座岛有着超乎寻常的感知——她能“看见”常人无法察觉的巨蛇，甚至能与它们产生某种神秘的共鸣。与此同时，一群老年游客入住酒店。领队的周老师傲慢无礼，在神像前肆意吐弃，触犯了当地禁忌。花姐是酒店主管，她深知这片土地被“蛇神”诅咒，却被迫卷入一场更大的阴谋——古董商孟叔带着雇佣兵登岛，寻找传说中元代沉船宝藏与“那伽龙珠”，而宝藏的守护者，正是成群百年不死的盲蛇。台风将至，通讯中断，孤岛化作死局。巨蛇从工地裂缝、酒店管道、墓道深渊中涌出，贪婪与傲慢者逐一被吞噬。陈峰一家在逃亡中重拾彼此，而乐乐，这个安静的女孩，似乎掌握着与蛇群和解的唯一钥匙……
一个被埋藏的秘密，正准备被揭开。 失踪多年的凯蒂突然回来，但回来的，真的还是原本的她吗？ 那些看似“好转”的变化，其实，是另一种腐败的开始。
艾莉深陷一种可怕的病症：她的记忆会周期性清零，连丈夫和女儿都无从辨认。每一次重启都让她坠入迷雾，只留下对陌生生活的零星片段，似曾相识，却无从拼凑。。。
改编自英国电影《爱丽丝的失踪》 为了给弟弟的手术费筹钱，海兰与身为高利贷主的泰秀联合策划了一起绑架案，目标就是海兰同父异母的姐姐素珍。素珍之前并不知道自己还有个妹妹，当身份关系揭晓，绑匪和人质之间变得微妙起来……
Searching for an adventurous story in the woods, a group of journalism students awaken a superhuman being from its lost cryo-chamber. A long night of man hunting and desperation ensues.
