西部来的人

简介：马修（埃米尔·赫斯基 饰）是一个迷恋政治的高中生，直到隔壁搬来了一个辣妹女生丹尼尔（伊丽莎·库斯伯特 饰），他的注意力才从政治转移到这个漂亮女孩身上。他打电话给朋友，告知他这个艳遇。这时候他竟透过窗户看到丹尼尔正在宽衣解带，身材火辣，让他血脉喷张。他彻底迷上了这个美女。两人也很快打得火热。 　　丹尼尔的前男友不合时宜的出现了，并且马修的死党告诉他一个令他震惊的秘密——丹尼尔是一个AV女优！马修无法接受这个事实，他犹豫该不该在乎丹尼尔的过去。但是，他慢慢意识到，爱一个人，就...

简介：座頭市は一の宮で、町の人々を苦しめている板鼻権造一家を叩きつぶし、浪人・黒部玄八郎と剣を合わせる。第1作の平手造酒役で名演技をみせた天知茂が、黒部玄八郎役で再び座頭市と対決。

简介：

一名13岁的男孩，在1880年代堪萨斯州父母去世后，不得不独自照顾自己和弟弟。他因意外杀死一名当地牧场主而被判绞刑，在此之后，他与长期疏远的祖父一起开始了逃亡之旅。

简介：农民沈山旺（李国华 饰）有两个女儿，存妮（杨海莲 饰）和荒妹（沈丹萍 饰）。她们生活在物质和精神极其贫困的年代。在那个封建意识和极左猖獗的角落，爱情是绝不允许的。当存妮和同村的小豹子（张潮 饰）野地约会被“捉奸”，存妮含看无限羞愤跳塘自杀。憨厚质朴的小豹子则被控为“强奸致死人命罪”锒铛入狱。这给妹妹荒妹的心灵带来很大的创伤。和她青梅竹马的小伙子许荣树（张世会 饰）复员回到家乡，看到家乡依然贫穷落后，就努力想办法改变故乡的贫穷面貌。荒妹十分仰慕荣树，但一想到姐姐的悲惨命运，阴影又袭上她的心头。这时侯，她又看到本村青年英娣（杨秋复 饰）和二槐（夏峰 饰）自由恋爱，而英娣娘（金迪 饰）却不答应，让她同一个素不相识的男人结了婚，生活的非常不幸。目睹此情此景，荒妹的内心更加矛盾了，她该怎么办呢......

简介：剧情介绍：

简介：影片讲述了小公主艾薇拉如何努力成为一个合格的公主，并且在朋友的帮助下，历经磨难，及时参加了公主集会，77mi.cc最终成功化解了国家危机，维护了和平的故事。

简介：大家說，釘仔跳海了，但是他明明就好端端站在我的面前。他用手語對我說：為我辦一場西式的喪禮。我一直不知道該怎麼辦──不管是西式的喪禮，還是自己面對的所有鳥事。事情已經夠多夠亂，偏偏在釘仔一次次的捉弄中，我和阿皓學長愈走愈近……靠，我不懂，阿皓學長明明是釘仔姐姐暗戀的對象，為什麼釘仔要讓我意識到自己喜歡的人，也是阿皓學長──你是來搗亂的是不是？幹嘛讓我發現自己喜歡的其實是男生。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：渠立强是高级农艺师、丰县土壤肥料管理站站长、无公害农产品认证办公室主任，共产党员。24年来，他辛勤耕耘在土壤肥料和农技推广领域，成为农民喜爱的“土专家”；罹患肾癌双肾切除，仍奔走在田间地头，指导农民科学种田；靠透析维持生命，依然与时间赛跑，坚持工作。他坚守平凡、呕心沥血、无私奉献的事迹，感动了农民、感动了社会，是基层农技人员的楷模。　　电影《渠立强》将总体展现渠立强为民服务的历程。

简介：电影以顾平生和夏终年的爱情为主线，以跆拳道比赛为副线，展现了当代大学生丰富多彩的生aaa。顾平生在与夏终年的恋爱关系中逐渐变成了最好的自己，而夏终年在顾平生的呵护与陪伴下将自己的心扉打开，认识到了陪伴的意义。同时，夏终年也在跆拳道比赛与对手的竞争中成长起来。

简介：大学生村官毛天宇被派往毛家沟落实搬迁安置工作。然而，一心为国家基层建设投注满腔热血的他，在推进搬迁工作的第一天，就撞见了一个极其难缠的对象——毛冬，毛家沟的刺头。 毛冬，作为土生土长的毛家沟人，是村里典型的留守青年代表。父母在他幼年时外出务工，十多年来鲜少回家，导致毛冬缺少家庭管教。虽然生活在底层，但他却有着一份十分文艺的梦想，成为市戏剧团的秦腔演员。几天前，怀揣着梦想的毛冬，进城闯荡，没想到却错过报名时间。受挫的毛冬对城市产生恐惧，阻挠搬迁却被毛天宇一一化解。最终，毛天宇帮毛冬解开心结， 顺利落实搬迁工作，并得出基层工作要落到实处的感悟。

简介：　　弗拉迪斯瓦夫·斯特泽敏斯基（Władysław Strzemiński）原是备受爱戴的大学教授与知名的前卫派画家。当斯大林提出“社会主义式的写实主义”，且被波兰当局奉为圭臬，要求上行下效时，他站在异议的那方，结果不但被撤销教职、剥夺艺术家身份，甚至连餬口饭吃的生存权也尽遭践踏。而自诩为小螺丝钉的人们，成了国家机器的暴力帮凶。