将军的女儿

简介：Jung-seo, an artist who draws vampire webtoons, heads to her father, Young-joo, who runs a restaurant in Mukho Port in Gangwon-do. She brings a saxophone that her mother, Mi-young, had kept as an IOU symbol. There, Jung-seo gets tangled up in her family members' unfamiliar desires. As she confronts her roots and shaky presence, Jung-seo makes a choice for herself.

简介：

两个年轻的恋人在南国抢劫，将他们的功绩发布到社交媒体上，从而获得了名气和追随者。

简介：

巴西世界盃總決賽當日，下午五點，中國少年民工縮衣節食，滿心期待下班後與應召姐姐共度良宵，殊不知她早已買好了離城的車票。晚間九點，新加坡男教師與輕熟女想來場隱密的山頂幽會卻被不解風情的計程車司機不斷打擾。午夜一點，在日俄交界的偏遠小鎮，神祕放映師面對流氓漁民的暴力討債，必須搶救打火機下的心愛膠卷。清晨三點，精心拍攝的科幻恐怖片眼看就要殺青，因為懷疑身為自己妻子的女主角與男主角有染，泰國導演竟開始分不清虛構與現實。
　　來自四個不同國家，關注題材和敘事手法也各異其趣的四位導演，以黑色電影風格演繹各自獨到的亞洲印象。一個夜晚，四則故事，在社會環境與文化地景的同與異中，拼湊東亞獨立電影的當代圖景。

简介：

　　故事发生在旧中国的上海。柴益良（汤镇宗 饰）携新娘杜雯（郑爽 饰）奉家父柴元济（奇梦石 饰）之命，寻找苏州木牍镇的穆彦（汤镇宗 饰），却惨遭他人杀害。穆彦凭自己长相酷似柴益良，与杜雯合谋打入柴家出任常务董事。穆彦追求女秘书李琳（夏菁 饰），却被昔日兄弟蒋三（白永成 饰）认出假冒身份，并借机敲诈，不料死于非命。警方介入后多方搜集证据，以求尽快让穆彦现原形。私家侦探胡波（廉叔良 饰）受穆彦聘用，请他查清近来频频打匿名电话骚扰自己的人。明查暗访后，胡波发现老爷的贴身仆人阿松（郭伟琳 饰）跟一个叫奚美凤（蔡丽君 饰）的女人有神秘接触，而奚又与其他男人来往密切，穆彦与杜雯设计引蛇出洞......

简介：梁伟英醉心戏剧，甘愿放弃父业，也要粉墨登场，无奈时移势易，男包头不为时尚，一日花旦英登台为观众喝倒彩，与班主争吵，英误将班主推倒在地上，班主遂因心脏病病发身亡。英以为自己误杀班主，得同班男旦石秋之助，逃亡星洲投靠其兄石春及其妹兰英。兰英羡慕其兄在港演戏，故在星亦不时女扮男装苦学唱功，希望有一天赴港演出，英抵星寻获石氏兄妹，为求生活，三人联合街头卖唱。花旦英之父梁千万亦获悉其子并无杀人，故派使私家侦探369往星洲寻觅其子回港团聚。梁父有梁地官，向暗谋夺梁家产业，现悉梁父遣369往找花旦英，亦派往情妇南施往星暗杀之。

简介：几年前的一场事故，夺去了江皓双亲的生命，江皓的妹妹江琪也在这场事故中双目失明，为了救治妹妹的眼睛，江皓带着妹妹来到一个陌生的城市，一边寻医，一边努力赚钱，后来偶然受到一个赌拳老板冯六的赏识，从此为他打拳。在一次打完拳赛回家的路上，江皓救下了正被人绑架的初恋女友刘亦曼，二人旧情复燃，然而此时的刘亦曼为了替父亲偿还欠冯六的赌债，成了冯六的“情人”，不知情的江皓看到冯六故意与刘亦曼爱昧时痛苦不堪，当刘亦曼说出隐情后江皓更加心疼她，冯六暗中派人监视，了解二人的情况后便要报复江皓，江皓能否躲过此劫？

简介：在名为溪谷的偏远所在，一起亲母杀子案震惊全国。当事人的隔壁住着尾崎俊介（大西信满 饰）和加奈子（真木阳子 饰）这对夫妇，任凭门外喧嚣，他们颓废待在自己的小天地中。未过多久，尾崎涉嫌与女嫌疑人通奸并唆使杀人被警方带走问讯，而加奈子正是事件的举报者。周刊记者渡边一彦（大森南朋 饰）受命跟进此案，通过多方调查，他发现15年前高中时代的尾崎是一个前途光明的棒球明星，但因某起事件而被迫退学。他持续深入，了解到当事人许多不为人知的过去和真相，并渐渐觉察到尾崎和加奈子之间那极其微妙的联系。爱与恨纠缠成一团，剪不断，理还乱，终究不明白这其中是怎样的情感……　　本片根据吉田修一的同名原作改编，并荣获2013年日本电影旬报十佳影片第八名。

简介：

明朝某皇帝得知潘太师父子罪恶极大，便赴江南私访，恰好书生朱子谦途经杭州目睹潘太师之子抢劫民女沈美娘并杀死其母，愤而来到杭州府击鼓告状。知府刘迁己知皇帝赴江南私访，见朱出言犀利，误其为皇帝。朱借机下旨将潘子处死，惩治了贪官污吏，后来在百姓的掩护下，朱子谦和沈美娘一同远走他乡。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：影片基本还原了《The Apology(苏格拉底自辩篇)》和《Crito(克里托篇)》。剧的后半段，苏格拉底和雷托辩论的那场戏是原文的删减版，基本涵盖了自辩篇的重要思想。　　一. 反驳“腐蚀青年人的思想”的罪名　　二.反驳“无神论者”罪名　　以及关于“他最有智慧”和对于死亡的看法。　　可是在判决死刑后，与帮助其逃狱的好友克利托的对话却少了一大截，不过影片到了结尾，更多应该渲染苏格拉底的死前氛围，而不是以高谈阔论来破坏悲剧气氛。

简介：　　从马来西亚移居新加坡的阿玲在一间高中担任中文老师。她的家庭生活让她倍感沮丧：公公因为瘫痪无法说话，丈夫对她也日趋冷淡。夫妻二人多年来一直尝试怀孕，但情况一直没有得到好转，丈夫的不闻不问更让她感到孤独。伟伦是阿玲的一位学生，他通过中文课对老师产生了某种不可名状的情愫，两人的关系随着阿玲给伟伦的课外辅导产生了变化……

简介：

二战期间，犹太人吉尔斯在集中营谎称自己是波斯人保命，被一位德国军官看中要求教自己波斯语。对波斯语完全不懂的吉尔斯只能凭空编出一门语言，他开始用集中营中关押的犹太人的名字作为词根，编造出上千个“波斯语”单词，军官在残暴的环境中对吉尔斯竟有了依赖，并开始袒护他，不料集中营中来了一 个真正的波斯人……