三七碰到二十一
7.0 |2025年10月23日 |正片
简介:
该影片是一部围绕都市爱情、道德理想的影片,影片主要描写北京工作的河南女孩乔雨含回老家参加姐姐婚礼过程中,两个男青年蒋智宸、欧元为争当伴郎,展开一系列的诗词歌赋、文体大PK,因为两人的各种无厘头的囧事而闹得啼笑皆非、笑料百出、风趣横生。
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克里斯蒂
746
5.0
正片
克里斯蒂
5.0
更新时间:2025年12月12日
主演:西德尼·斯维尼,本·福斯特,梅里特·韦弗,凯蒂·M·奥布莱恩,托尼·卡瓦勒罗,伊桑·恩布里,查德·科尔曼,杰西·加伯,迈尔斯·穆森登,比尔·凯利,阿尔特·纽柯克,史蒂芬妮·鲍尔,考特妮·格蕾丝,凯文·J·奥康纳,阿德里安·洛克特,阿里莎·康纳,科尔曼·佩迪戈,布莱恩·希巴德,塔玛拉·霍普金斯,斯蒂芬·罗亚尔·菲利普斯
简介:

影片讲述美国著名拳击运动员、“女洛奇”克里斯蒂·马丁的故事。克里斯蒂来自美国西弗吉尼亚州小镇一个相对保守的家庭,当时她作为一个年轻的女同性恋者不被允许做自己,所以用拳击作为表达自己和愤怒的工具。她必须在生活中做出一些危险而根本的妥协,其中最严重的是嫁给一个极其危险的男人。   1989年,马丁遇到了她的经纪人、后来的丈夫吉姆·马丁,生活发生了转变。她打破界限,成为第一个与金牌拳击推广人唐·金签约的女性,也是唯一一个登上《体育画报》封面的女拳击手。   克里斯蒂的魅力、漂亮外表和对赛场的适应为她赢得了狂热的粉丝群,并推动她成为次中量级冠军。但在精心塑造的公众形象背后,她面临着个人内心的恶魔、有毒的人际关系以及一次致命的谋杀事件。

4985
2025
克里斯蒂
主演:西德尼·斯维尼,本·福斯特,梅里特·韦弗,凯蒂·M·奥布莱恩,托尼·卡瓦勒罗,伊桑·恩布里,查德·科尔曼,杰西·加伯,迈尔斯·穆森登,比尔·凯利,阿尔特·纽柯克,史蒂芬妮·鲍尔,考特妮·格蕾丝,凯文·J·奥康纳,阿德里安·洛克特,阿里莎·康纳,科尔曼·佩迪戈,布莱恩·希巴德,塔玛拉·霍普金斯,斯蒂芬·罗亚尔·菲利普斯
不安分的年轻人们
150
3.0
HD中字
不安分的年轻人们
3.0
更新时间:2025年10月23日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
291
1958
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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