萨沙曾在这里

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该片讲述了一个单身母亲倾尽所有、守护孤独症女儿的感人故事。吴文雅离婚后与女儿相依为命，她7岁的女儿蓓蓓从小患有孤独症，完全活在自己封闭的世界里，无法独立生活。对于吴文雅来说，女儿即是她的全部。但女儿每一次犯病捂着耳朵的尖声惊叫都让吴文雅心力交瘁、倍感疲惫与迷茫。一次，吴文雅意外发现蓓蓓很喜欢水和海豚，于是她带着蓓蓓来到了圣地海洋世界，在这里，她们认识了海豚驯养员黎冬和陈晓，他们的真诚感染了吴文雅，在他们的帮助下吴文雅坚定了对蓓蓓的信心，一段关于亲情与友情、天使与海豚的故事拉开了帷幕。

简介：故事取材自当时的一则新闻报道，描写人民解放军某营在行军休息时，一个刚刚参加革命的小鬼（马德明）因擦枪不慎走火，打死了一个老农民（陈强）的小儿子。为了严肃革命纪律，部队组织决定让小鬼偿命。 第二天在群众大会上宣布执行这一决定时，老农民却跑上讲台，要求连长（于洋）和指导员不要执行。因为老农民经过一夜的思考后，他从自己的亲身经历里对照了他过去所受的反动派的压迫和现在解放后的幸福生活，深深感到解放军就是自己的军队，要是没有解放军，就没有自己的翻身；而且小鬼也是穷苦人家的孩子，是自已阶级的子女，他的爸爸也是给反动派杀害的。老农民说：“不要枪毙小鬼，让他去打蒋介石反动派吧！”老农民的话感动了所有到会的群众，他们一致要求把小鬼留下。部队组织同意了群众的意见。老农民并把小鬼认作自己的义子。后来小鬼在战斗中立了功，受伤住在医院里。影片是以老农民去医院探望受伤的小鬼作为开头，用倒叙的方法来展开故事的。

简介：

李询（李乃文 饰）是一位经验丰富医术高超的外科医生，某日，在车祸中身受重伤的一对男女成为了他的病人，让李询没有想到的是，其中的那个女人，竟然是自己的妻子徐春（颜丙燕 饰），而那个男人，则是徐春的情人，陈默（焦刚 饰）。秉着职业道德，李询强忍着心痛将两人从死亡线上奋力抢救回来，和他一起的，还有徐春的前男友钱程。徐春的命保住了，然而，因为头部遭到了剧烈撞击，她失忆了，这一事实让李询陷入了两难的境地，他既不想妻子回忆起自己对他的背叛，又无法为了拴住妻子而制造一个巨大的谎言。在感情和道德面前，李询会做出怎样的选择？©豆瓣

简介：丹尼尔·卡卢亚(《逃出绝命镇》《黑豹》)将主演环球新片《皇后与瘦子》(Queen & Slim)，已定档2019年11月27日北美上映，明年1月开拍。该片是一部复杂的剧情片，讲述一对黑人男女“皇后”和“瘦子”第一次约会，开车被警察叫停。之后的发展跟《逃出绝命镇》就不一样了：两人因自我防卫杀死了那名警察，随后没有自首，而是一起亡命天涯。希望藉由这个爱情故事探索美国的社会和政治。女主角皇后正在选演员，计划用新面孔。

简介：　　中国首部关注被性侵儿童成年后生存现状故事电影，由真实故事改编。 　　童年曾遭到性侵的女孩陆景与宋清歌一直走不出噩梦阴影，表面漂亮优秀的两人私下却过着荒诞怪异自我放逐的极端生活。成为同居密友的陆景和清歌感情甚笃，彼此依赖，彼此舔舐心灵伤口，然而因为生存环境和生活际遇不同，人生轨迹发生分化，最后一生一死。

简介：丹尼因参与北爱尔兰共和军的活动而被判入狱，在贝尔法斯特的监狱中服刑14年。出狱后他决心不再参与政治，而且要努力避免因政治造成流血事件。他把自己最熟悉的拳击运动作为新生活的起点，不但自己投身其中，而且还训练一批年轻选手。这时，他又开始面对分开十几年的恋人，她一直艰难地抚养着14岁的儿子林恩。丹尼当然想重续前缘，但他过去的所作所为时不时地会成为障碍。影片中的人物都是处在困境中的人，他们都有伤心的过去，但又都对未来有着美好的憧憬。

简介：An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

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简介：陆星（卢君 饰）和白如桦（韩月乔 饰）是插队时期的一对恋人。1976年冬天，陆星应征入伍来到北疆雪国，当上一名军犬引导员。由于对这份工作缺乏热情，加之责任心懈怠，没过多久就造成了军犬丢失被打伤的后果，为此受到严重处分。后经连队干部和战友们教育鼓励，陆星渐渐喜爱上本职工作，军犬双双成了他无言的战友。在一个风雪交加的夜晚，双双以敏锐的嗅觉和对主人无比的忠诚，救了已经迷路的陆星，而双双则因劳累而流产，陆星将仅存下来的小犬取名陆陆。在此期间，留在北京当舞蹈演员的白如桦已爱上了别人，返京探亲的陆星得知真相，带着心灵的创伤返回连队，忠犬陆陆用意想不到的方式迎接了主人的归来......

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：影片讲述狱警王向春为了更好的尽孝瘫痪的父母，放弃进京工作的机会，以超凡的毅力和孝心，十二年如一日地精心侍奉二老。在事业、家务双重的压力下，他以惊人的魄力和耐力，创作了《监狱中队管理学》《孝子警官日记》《黑手伸出高墙》《明天谁坐牢》等学术论文和长篇小说，他先进的孝道事迹诠释了中华民族传统慈孝的高尚美德。电影立意高远，构思巧妙，线索清晰，情节既来源于监狱工作的事迹案例，又有强力的艺术效果，是一部反映忠与孝的影片。

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