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简介：麦克（布鲁斯·威利斯 饰）是著名儿童心理学家，却也有始终未能治愈的患者，甚至因此遭到枪击，这名少年随后也饮枪自毙。这给麦克带来很大心理阴影，一年后他找到另一个症状很像这名患者的男孩柯尔（海利·乔·奥斯蒙 饰），并耐心的做起了他的医生。柯尔并不容易接近，但麦克还是慢慢赢得 了他的信任，得知了柯尔的秘密。原来柯尔有着灵异的第六感，可以看到鬼魂。虽然这令人感到难以置信，但麦克在证实了事情的真相后还是帮助柯尔接受了这个事实。

简介：阿简（雷·温斯顿 Ray Winstone 饰）曾经是一名游击队员，经历过战争的残酷洗礼，如今，阿简选择定居新西兰，想要过上平静的生活。一个名叫卡瑞玛（特穆拉·莫里森 Temuera Morrison 饰）的船员让阿简再度陷入了危险之中，他奉命追击这个据说犯了杀人之罪的逃犯。　　经验丰富的阿简很快便将卡瑞玛捉拿归案，可卡瑞玛的反复逃跑无疑为阿简完成任务增加了难度。支撑着卡瑞玛不断逃跑的信念只有一个，那就是他的无辜。在一次又一次的奔跑与追逐之中，阿简逐渐对卡瑞玛产生了兴趣，如果不是碍于身份，他们甚至可以成为趣味相投的好友。当阿简知道了卡瑞玛的无辜后，他还会选择继续执行他接受的命令吗？

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谷平安独自护送人镖小倩去找夫家，却在半途中被以刀疤脸为首的一伙绑匪绑架。王兆兴预感情况不妙，前去营救，竟遇到了曾经在飞鱼营干过的师兄游四。王兆兴向游四打听刀疤脸的消息，不料游四竟向王兆兴隐瞒实情，还指路为马。经过一番调查，以及小师妹保护朝廷刘大人调查官粮囤积案所掌握的信息，众人终于闯入最阔祸首黄布政大人的行宫。在大量证据面前，黄布政和游四的丑恶行径和贪赃枉法不攻自破，刘大人将贪官缉拿归案，游四趁机溜走。王兆兴追出野外，与昔日的师兄展开一番较量，游四终有所顿悟，倔强的他却结束了自己的性命，王兆兴不免感到伤感和惋惜。

简介：“白富美”宁静陪同母亲去宁夏旅游，旅途中遇到两个碰瓷的笨贼，阴差阳错，导游夏天莫名其妙地成了“流氓”，在被宁静投诉后的旅途中，又因母亲突然走失，两人便陷入无休止地“掐架”中，后收到不明身份者的勒索短信，沿着一系列线索，展开了寻人的故事，走访中才发现母亲竟然在宁夏生活过七年…… 经过一番寻找和调查，宁静和夏天终于找到了母亲插队生活过的金山乡，遇到了母亲的初恋情人杨青老师……方才知道母亲的去处，王秀英不光在这里生活了七年，她还留下了一段刻骨铭心的爱情，最终圆满团聚，宁静和夏天这对欢喜冤家也由厌生爱，终成眷属。 在寻找女主人公母亲的过程中，引发一系列爆笑、感人的故事。

简介：H省精神病院地处荒野，因袭医事件频发，那里等级森严，监控严密。酷热清晨，病人郭佳离奇地将护士长夏雪劫持，声称最爱她的男人在门口等她。而据档案记载这个男人已经死亡多年。不久，患有严重暴力倾向的陈默入住，将每个医患心中潜藏在阴暗处的邪恶与恐惧激发。随着假冒病人程小絮的住院 ，一段尘封的夺权阴谋、杀戮迷局将孤立事件勾连，秩序崩溃，死地复燃，疯狂一触即发……

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《放映路上》是为建党90周年献礼的重点影片，该片讲述了农村电影放映工作者郭建华，在农村文化战线36年如一日辛苦工作的感人事迹，影片再现了上世纪六七十年代农村露天电影人头攒动的盛况，再现了因电视进入千家万户造成电影萧条的悲凉景象，更反映了新时期农村电影市场复苏的大好局面。

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珍海滋科是一位美丽且勇敢的女教师，她所在的学校有一帮无视校规的坏学生，其中以校园恶霸拉卡斯最为凶狠。由于她经常阻止他们的恶行，所以不断受到拉卡斯及其帮派的威胁和攻击。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：一个女人庆祝她40岁生日的方式是让她的三个最好的朋友来和她和她的丈夫一起度过一个长周末。这名妇女在过去两年中一直坐在轮椅上，这导致她把自己孤立在家里。她的丈夫陪在她身边，因为他对导致她坐上轮椅的车祸感到内疚。在为期三天的庆祝活动中，我们发现每个人都在为自己的生活和身份而奋斗。当一个最好的朋友犯了一个可怕的错误，在她的生日那天背叛了她，每个人都立即被迫不安地审视自己的生活和局限性。

简介：本片根据真实事件改编，讲述了1940年3月，乌达姆·辛格在伦敦枪杀迈克尔·奥德怀尔爵士事件始末。年轻的乌达姆·辛格立志投身革命，争取自由平等。1919年，乌达姆·辛格亲眼见证了阿姆利则惨案，于是参与革命奋起反抗殖民统治者，后被捕入狱。获释后，乌达姆·辛格辗转逃到伦敦，潜伏于当地革命组织，等待报仇。六年后，他在卡克斯顿音乐厅枪杀了参会的奥德怀尔爵士，并打伤多名前英印政府高官。他带着21年未愈合的伤口，不屈不挠地走完了艰难的复仇之路，最后英勇就义。