同桌的守护者
7.0 |2025年10月23日 |HD
简介:

冬雪纷飞的安纳托利亚山区,一所与世隔绝的男子寄宿学校座落其中。某日夜里,男孩们在淋浴间过度嬉闹,遭到教官严厉处罚,被迫在零下30度的低温中洗冷水澡。隔天,尤素夫竟发现同房好友开始严重呕吐,陷入昏迷。他赶忙通报师长,却只见大人们不断互踢皮球。随著时间分秒流逝,下山之路的积雪越发深厚,他望著奄奄一息的好友,理智也面临崩溃边缘。   库德族裔新锐导演改编童年亲身经历,场景设置在宛如真实社会缩影的寄宿学校,透过纯真而惊惧的男孩之眼,以晃动不安的镜头控诉官僚杀人的冷酷体制,更尖锐影射陈腐教育思维的世代複制过程。   “施加在我们幼小身体上的控制,将在往后的人生形塑我们的心智。控制孩子,本质上就是控制未来。”──法利·卡拉罕

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简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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简介:

该片剧本排2018年好莱坞“剧本黑名单”第二,讲述理查德·威廉姆斯的真实故事,这位精明务实、不屈不挠、没有任何网球背景的父亲培养 出了两个网球天才,她们后来成了超级巨星——维纳斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。   理查德·威廉姆斯为女儿们的职业网球生涯起草了一份78页的计划,女孩们在康普顿破旧、杂草丛生的公共球场上学会了这项运动。据报道,在那之前,她们的父亲与一些不喜欢这项运动、不肯让位的年轻硬汉发生了争执。威廉姆斯姐妹后来成为了网球史上最伟大的女选手之二。

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