哈尔滨
3.0 |2025年10月23日 |HD
简介:

讲述1909年在远离祖国的哈尔滨为夺回即将落入日本帝国之手的祖国而拼命的独立斗士们的故事。   玄彬将饰演大韩义军参谋中将安重根一角,朴正民饰演比起留下的名字,更先考虑国家的独立斗士禹德顺一角,赵祐镇将饰演与安重根(玄彬 饰)一起为找回失去的祖国 而努力的独立斗士金尚贤一角,全余赟将饰演独立军孔夫人,刘在明将饰演安重根义士的助手崔在亨,朴勋将饰演日本帝国的森田雄。影片将在拉脱维亚和蒙古拍摄外景。   1909年10月26日,安重根在中国哈尔滨成功刺杀了侵略朝鲜的元凶、前日本首相伊藤博文,当场被捕。日本关东都督府地方法院判处安重根绞刑,于1910年3月26日在中国旅顺就义。安重根被当今朝鲜和韩国分别称为“爱国烈士”和“义士”。2014年1月19日,安重根义士纪念馆在中国哈尔滨开馆。

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简介:

为了能在摄影比赛中拿出与众不同的作品,女大学生应佳说服同是摄影爱好者的弟弟小山和同学刘林来到准葛尔盆地徒步旅游,伺机拍摄理想的作品。出乎应佳三人意料的是,拍摄过程中竟无意间拍下盗猎团伙围杀马鹿的场面,并因此而遭到盗猎份子的追杀。摆脱盗猎者时,应佳三人分头逃跑,约定晚上在营地汇合。结果,小山和刘林落入盗猎分子之手,应佳滚下悬崖时被树枝挂住,幸免一死。
  准葛尔盆地自然保护区反盗猎大队刘队长,和青年志愿者马强在巡山过程中发现精神恍惚的应佳后,将其救回保护站。刘队长安排马强照看应佳,自己和小李一起去寻找小山和刘林。受到惊吓的应佳不愿意相信任何人,乘马强睡着的机会偷偷离开保护站,去营地寻找弟弟和刘林,却被半路追上的马强强行拉回。应佳向马强叙述了自己的遭遇。在应佳的哀求下,马强决定陪同应佳一同外出寻找。
  刘队长和小李在荒漠中遭遇盗猎者,并与之发生火拼。因寡不敌众,刘队长从火拼中撤回保护站,请求支援。马强在应佳的坚持下,顺着盗猎者留下的痕迹一路追踪,在盗猎份子的窝点却遭到暗算,汽车被炸毁,应佳被前来收货的老梁子抓获。老梁子与盗猎者交易时,应佳差一点被扔进矿井。千钧一发之际,马强赶到,救出应佳,并告诉应佳小山和刘林的下落。无意间,马强发现盗猎团伙内部矛盾重重,乘机偷出盗猎者的
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更新时间:2025年10月23日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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