罂粟花田

简介：

惠宜（张可颐 饰）天性好赌，只要是和赌有关的任何事情，她都想在里面掺一脚，只是惠宜的运气似乎极差，大多数的赌局她都以失败告终。一天，在一条游轮上，惠宜又上了赌桌，和往常一样，很快的，她的兜里就输的一毛钱也不剩了。气愤之中，惠宜来到甲板上散心，偶遇了勤杂工毕比特（雷宇扬 饰），毕比特告诉惠宜，她之所以运气这么差是因为没有按时祭扫已经去世的双亲的墓。 　　信了毕比特的话，惠宜决定祭祀一下仙人，才发现双亲的墓地早已经长满了半人高的杂草。在除草的过程中，惠宜误将垃圾倒到了隔壁的墓碑上，这下可好，寄宿在墓碑上的烂赌鬼彻彻底底的缠上了惠宜。

简介：An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

简介：

　　被浩瀚大海所包围的奄美大岛，少年界人（村上虹郎 饰）和少女杏子（吉永淳 饰）各自经历着人生的波动时刻。月圆之夜，界人目睹了背部有纹身的男子漂在海中死前的一刻，心灵备受触动。他对母亲（渡边真起子 饰）和男人们纠缠不清的行径感到反感，于是决定去东京看望父亲（村上淳 饰）。杏子的母亲（松田美由纪 饰）是岛民们倍为敬重的女巫，但女巫也无法逃脱生死的宿命。母亲病入膏肓之际，杏子矜持的心土崩瓦解。少男少女愁绪满怀，涛声、风声、歌声、琴声，汇聚成一首关于生命的颂歌…… 本片为演员村上淳和作为歌手的前妻UA之子村上虹郎的银幕处女作。

简介：阿简（雷·温斯顿 Ray Winstone 饰）曾经是一名游击队员，经历过战争的残酷洗礼，如今，阿简选择定居新西兰，想要过上平静的生活。一个名叫卡瑞玛（特穆拉·莫里森 Temuera Morrison 饰）的船员让阿简再度陷入了危险之中，他奉命追击这个据说犯了杀人之罪的逃犯。　　经验丰富的阿简很快便将卡瑞玛捉拿归案，可卡瑞玛的反复逃跑无疑为阿简完成任务增加了难度。支撑着卡瑞玛不断逃跑的信念只有一个，那就是他的无辜。在一次又一次的奔跑与追逐之中，阿简逐渐对卡瑞玛产生了兴趣，如果不是碍于身份，他们甚至可以成为趣味相投的好友。当阿简知道了卡瑞玛的无辜后，他还会选择继续执行他接受的命令吗？

简介：雷纳德（芭芭拉·贝尔·戈迪斯 Barbara Bel Geddes 饰）从小的梦想就是能嫁给一个金龟婿，做全职家庭主妇，长大后，她和百万富翁史密斯（罗伯特·瑞安 Robert Ryan 饰）相爱，并且最终携手步入了婚姻的殿堂。可是，结婚之后雷纳德才发现，婚姻生活并不是她想象的那么美好，而史密斯也有着不为人知的另一面，雷纳德想要和史密斯离婚。　　雷纳德离家出走了，她宁愿去做诊所接待员，自食其力，也不愿意再活在史密斯的淫威之下。在诊所，雷纳德邂逅了名为拉里（詹姆斯·梅森 James Mason 饰）的医生，两人坠入了爱河，可与此同时，雷纳德发现自己竟然怀孕了。

简介：　　青年企业家许奋斗为了留住村里小学的师资力量,也为了留住即将失去的女朋友的芳心,许下了要把村小变城小的诺言。然而,在履行诺言的旅途中,其命运多舛,百转千回。 　　他用各种方式找寻、接近本村走出去的性格、事业、情怀迥然不同的六位企业家,他们在为村小转变格局的过程也碰撞出了意料之外的人情、人性之悲欢。 　　然而,一切在一张张天真的笑脸面前,在故乡教育事业的面前,他们又出奇的一致和统一。 　　在许奋斗和六位企业家的背后站立的是走出去和留守的众父老乡亲。在他们帮助村小变城小的路上,取得了超乎预期的收获。 　　当然,不只是钱的事……

简介：甲午战后，大批日本人移民到中国东北地区。他们很多人都携家带口，有些人甚至在中国成立家庭、生儿育女。这些在中国长大的日本人，对中日两国有着极为复杂的情感。抗日战争打响之后，其中的一部分人和一些被改造的日军俘虏成立了一支独特的日本军队，加入反战同盟的战线之中。

简介：

在全国队选拔试训的关键一周，年轻的体操运动员发现意外怀孕的消息。当她准备去买非法堕胎药时，在路上遇到了一个神秘的女孩。这个神秘的女孩对她的决定提出了深刻的质疑，让她开始重新思考自己的选择。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：“如果生命不可逆，我愿用最后的勇气去换得对你所有的记忆”，影片讲述了郑先生患有阿兹海默症，为了缓解自己对去世太太的逐渐遗忘，郑先生决定在所有记忆消逝前重新踏上年轻时最怀念的那一段环岛之旅。途中郑先生遇到了一名年轻女孩，相似的心情和交集的旅程让两人在机缘巧合下开始结伴同行……

简介：

故事发生在大唐初年，为了超度东土亡灵，一代高僧唐僧（何藩 饰）得到唐王支持，在大队兵马随从的护送下浩浩荡荡前往西天佛土，求取大藏真经。这一路坎坷艰辛，自不用提，更有洞府山川的妖怪精魅蠢蠢欲动，企图吃掉唐僧。适才还晴空万里，转眼飞沙走石，原来妖怪黑风大王施展法术，令唐僧和随从们失散，而妖怪们为了争抢唐僧更大打出手。唐僧一路逃亡，筋疲力尽，结果在五行山见到了被镇压在这里长达五百年的齐天大圣孙悟空（岳华 饰）。悟空受观世音菩萨指点，答应力保唐僧西天取经。在武功高强的徒弟的帮助下，唐僧总算暂时安下心来。 　　接下来的旅途中，他们又遭遇了高老庄的猪八戒（彭鹏 饰）、沙和尚（田琛 饰）以及白龙潭的小白龙，恢弘的西游记的故事正式上演……

简介：　　弗拉迪斯瓦夫·斯特泽敏斯基（Władysław Strzemiński）原是备受爱戴的大学教授与知名的前卫派画家。当斯大林提出“社会主义式的写实主义”，且被波兰当局奉为圭臬，要求上行下效时，他站在异议的那方，结果不但被撤销教职、剥夺艺术家身份，甚至连餬口饭吃的生存权也尽遭践踏。而自诩为小螺丝钉的人们，成了国家机器的暴力帮凶。