冰冻之河

简介：女英雄惠英红能打够飒。

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六个许久不联系的大学好友共聚一堂，计划共同度过3天小长假，让他们重逢的机遇却有些悲伤————六人中的亚历克斯在不久前自杀未遂，好友们决定照看并阻止他再次寻短。然而当有着无数共享记忆的旧日同窗相聚，早已被生活改变的他们将碰出怎样的火花？近在咫尺的旧爱又对已成人的密友们有何影响？

简介：台湾总统选举当日，女大三生杨婕（张寗 饰演）被发现陈尸租屋处，她赤裸的身体被涂满油彩，美丽的眼睛则遭利刃刨出，而她的画家室友和闺蜜都涉有重嫌…

简介：一医生成命案疑犯，他潜逃到澳门隐姓埋名，当了黑市医生，遇上一神秘婆婆、可怜少女、自称为转世灵童的藏人和黑道大哥。婆婆为他解开昔日命案疑团，原来她竟是其前女友……

简介：一次偶然的失误导致了一头可爱的泰国小香猪走失，流落街头。为了寻找这头丢失的小猪，正处风华正茂的四个青年男女互相邂逅，交集。围绕着一头可爱萌宠的小猪上演了一幕幕温馨感人的爱情和友情。最终，小猪也平安回到了它真正的主人身边。

简介：汽车销售员李正洙（河正宇饰）结束工作赶赴女儿生日派对时，行经刚开通的河图隧道，突然一阵天摇地动，让他经历此生最孤立无援的三十五天，而此刻的他唯一能做的就是拨打119求救。这则隧道崩塌消息引发各界关注，除了搜救大队，还吸引了大批抢新闻的嗜血媒体，以及逢场作秀只为增添政绩的官员。搜救队长金大庆（吴达洙饰）不仅要研拟救援计划，还需控制现场跟风记者、向作秀官员汇报，恶劣天气的搅局使得救援行动雪上加霜。好不容易终于进行开挖，准备救出受难者时，竟发现隧道是个豆腐渣工程。一连串的重击使得希望一一幻灭，更糟的是搜救行动中救难队组长意外身亡、国库的大量花费，促使舆论审判，迫使李正洙无助的老婆世贤（裴斗娜饰）签下放弃救援同意书。那一天崩塌的不只是隧道，更引爆现代社会形象丑闻。

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1992年，炒股热悄悄在上海兴起。许多老百姓厌倦了平凡无味的生活，开始纷纷投入这个让人疯狂失常的怪圈中。 　　香港男人阿伦（刘青云 饰）热衷赚钱，因此忽略了女友安娜的感受。随着时间的推移，两人的关系逐渐出现裂痕。安娜不辞而别来到上海，阿伦于是追来这里。失望的阿伦在上海小青年三宝的介绍下，权且借炒股打发时间，也因此结识了公交车售票员阿莉（潘虹 饰）。阿莉和丈夫、女儿住在底层的弄堂里，邻里间吵架拌嘴不断，生活条件迟迟得不到改善。凭借阿伦的指点，阿莉终于尝到日进斗金的快感，她的生活逐渐改善，周围人也对她尊敬有加，只是在这一过程中她渐渐成为股票和金钱的奴隶，沉湎其中，无法自拔……

简介：一次意外中，艾米丽（波姬·小丝 Brooke Shields 饰）和理查德（克里斯托弗斯·阿特金斯 Christopher Atkins 饰）流落到了一座孤岛上，面对凶险的大自然，他们必须为自己开拓一片赖以生存的环境。好在岛上的物资十分的丰饶，两人的生活上不成问题，只是在偌大的天地间，茕茕独立的孤独只有两人自己清楚。　　获救之日遥遥无期，艾米丽和理查德却早已习惯了岛上闲散安逸的生活。孤男寡女，奇妙的感情慢慢的拉近了两人的距离，不久之后，艾米丽生下了一名男婴，为两人的生活又增加了一份快乐。救援队的不期而至打破了这世外桃源般的生活，在和救援人员进行了交流后，两人发现，他们早已不适合再生活在文明社会之中，两人决定留在此地，永远的生活在他们的伊甸园之中。

简介：因为擅自干涉了人间之事，黄大仙（林正英 饰）被王母娘娘贬下人间，投胎转世成为了一个叫黄初平的男孩。黄初平是刘家的羊倌，和刘家的侍妾小兰（郁雯 饰）情投意合慢慢走到了一起。一直觊觎小兰美貌的少爷因此常常针对为难黄初平。　　在观音娘娘（黎燕珊 饰）的指点和帮助之下，黄初平开始了他的漫漫修为之路，一晃眼多年过去，修为大有长进的黄初平决定踏上普度众生的旅途，他和小兰就此别过。一路上，黄初平帮助了许许多多受苦难所困扰的凡人们，旱灾肆虐，黄初平甚至不惜将自己的血幻化成雨水滋润干涸的大地。最终，黄初平得道成仙返回了仙界。

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简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.