蝶变计划

简介：一个男人醒来发现世界上只剩下他一个人，于是到处寻找其他的幸存者，弄清到底发生了什么事。他怀疑自己卷入了一个政府的研究项目，而这个项目与其他人失踪有关。最后他终于找到几个人，当他们开始信任彼此时，设法要知道自己被遗留在这个世界上的原因。

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在世界的尽头，一个小男孩的垂死母亲送他去寻找一个地方，满足愿望。《最后的男孩》是一部科幻剧，灵感来自13世纪苏菲派神秘主义诗人鲁米的诗歌。

简介：第一集中，变异人在X教授的指挥下，将邪恶的万磁王打入冷宫，但是依然得不到社会的承认。在一次政治要人遭到暗杀后，所有的矛头又一次指向变异人。这一次，X教授也感到压力大增，以致于跟美国总统都要就此事进行磋商。一个拥有很高声誉的前将军，率领着反对变异人的联盟连续对x教授施压。万磁王在这种情况下，不得不寻找与X教授联手抵抗前将军的方式。金钢狼的身世也将在本集中进一步揭开。

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：热血正义的考古青年吴天于沙漠中发现楼兰文物青铜琉璃镜，偶然与铜镜中楼兰圣女雅曼平行时空相遇，为守护楼兰文明国家宝藏，防止其落入外国盗墓者之手，两人共赴楼兰秘境天使之墓，并肩揭开千年神秘的“幽灵军队”传说秘密，一场斗志斗勇的楼兰冒险之旅拉开帷幕。

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简介：阿拉伯大陆板块的突然移动，引发了强烈的大地震，同时带来了海啸，这样的威力不仅摧毁了附近执行任务的战斗机，甚至掀翻了航空母舰。剧烈的大陆移动也导致天气变得越来越不稳定，尤其是夜幕降临时温度急剧下降，寒冷突然来袭，全球陷入一片恐慌与混乱之中。美国琼斯一家此时正在埃及度假，逢此浩劫的琼斯试图逃往安全的区域，希望有人能帮助他们一家度过此次劫难。地球再次迎来一个新的冰河时代，狮身人面像、金字塔、撒哈拉沙漠都覆盖在皑皑白雪之中。

简介：一位计算机科学家小说家与他儿时的朋友团聚，并闯入政府数据库，同时面对他小时候所获得的神秘行为的可怕后果。

简介：海王星中某处正在秘密研究制作宇宙中最强、最冷血的生化战士以便征服地球，强是一位星际货柜车的驾驶在宇宙中跑单，某日认识伙伴麦克和辛蒂二人，在同时也得罪了货运站中最强最有势力的公司，急需离开太空货运站的强在地下货运站中接了一批急件送往地球的诡异货物，途中经过小行星陨石区遭受到了陨石强烈撞击，又遭到星际大盗的洗劫，但这次星际大盗强劫了致命的死神，强和麦克、辛蒂三人如何逃离星际大盗和生化战士的魔掌解救地球的毁灭浩劫？

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为了能让身患老年痴呆症的父亲重回正常的生活，威尔·罗曼（詹姆斯·弗兰科 James Franco 饰）一直致力于名为“Cure”的基因药物的开发，并在大猩猩身上不断进行着药物试验。在公司已经失去信心的同时，威尔继续在家完成试验，并在一只名为凯撒的大猩猩身上获得成功。借助灵长类学家卡洛琳（芙蕾达·平托 Freida Pinto 饰）的帮助，威尔发现凯撒的智力极大地提高。不过，人类的社会始终无法接受拥有极高智力的凯撒，凯撒被送往了猩猩看护所。看护所的残酷对待，使得凯撒利用智慧进行抗争，最终救走了同时被囚禁的其他猩猩，而且对它们都使用了Cure。一群高智商的猩猩与人类对立的战争就此拉开。本片获得了第84届奥斯卡最佳视觉效果的提名。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：小女巫小霞与人类小男孩汤米跨越隔离与成见，成为超级好朋友，一起携手克服难关，阻止了汤米的叔叔想要破坏森林开发高速公路的事情，在童话之外也带给我们许多启发与教育意义。