古畑任三郎 微笑的袋鼠
6.0 |2026年03月16日 |HD中字
简介:
某年,在澳大利亚举行的阿贝尔数学奖颁奖典礼,将最高殊荣同时授予了一对合作多年的伙伴二本松晋(阵内孝则 饰)和野田茂男(田口浩正 饰)。二人貌合神离,芥蒂丛生,野田早已看不惯二本松夸夸其谈实则没有真才实学的嘴脸,可有被迫与之搭档,分享本该属于自己的荣誉。他和妻子(水野真纪 饰)的婚姻也已名存实亡,妻子则与二本松暗度陈仓。获奖当夜,野田与妻子争执的过程中撞到头部,不省人事。二本松迅速将其伪装成酒后从楼梯跌倒摔死的假象。在此期间,他意外结识了来澳大利亚度假的古畑任三郎(田村正和 饰)和今泉(西村雅彦 饰)。更令他想不到的是来自于野田消失的尸体以及随后足以震惊数学界的伟大发现。自私、贪婪,泯灭人性……  本片为《古畑任三郎》系列第一部SP。
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主演:欧玛·艾普斯,克里斯蒂·斯旺森,迈克尔·拉帕波特,詹妮弗·康纳利,艾斯·库珀,詹森·威尔斯,泰拉·班克斯,科尔·豪瑟,劳伦斯·菲什伯恩,雷吉娜·金,Busta,Rhymes,杰·R.弗格森,安德鲁·布莱尼亚斯基,特雷弗·圣约翰,亚当·戈德堡,J.,特雷沃·埃德蒙,布里吉特·威尔逊,卡瑞·伍尔,兰道尔·巴蒂尼科夫,Antonio,Lewis,Todd,蒂姆·格里芬,斯基普·奥布莱恩,Dedrick,D.,Gobert,迈克尔·B·希尔维,艾丽西娅·史蒂文森,科琳·菲茨帕特里克,瑞克·艾弗里,摩里斯·切斯塔特
简介:

美国哥伦比亚大学迎来了新一届学生。黑人青年马里克(Omar Epps 饰)拥有极高的运动天赋,为了得到全额奖学金,他必须拼命训练取得优异成绩。超级大四学生富吉(Ice Cube 饰)的愤世思想深深影响了马里克,他对自己的前途倍感迷茫;白人女孩克莉丝蒂(Kristy Swanson 饰)对大学校园的一切都感到新鲜,在一次狂欢醉酒后,她遭到强暴,从此投身于女权运动中;来自爱达荷的白人男孩雷米(Michael Rapaport 饰)木讷保守,与周遭格格不入,偶然机会他结识了几个光头党的朋友,在偏执的路上越走越远……   本片荣获1996年美国有色人种大奖NAACP Image Awards最佳男配角奖(Laurence Fishburne)。

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主演:欧玛·艾普斯,克里斯蒂·斯旺森,迈克尔·拉帕波特,詹妮弗·康纳利,艾斯·库珀,詹森·威尔斯,泰拉·班克斯,科尔·豪瑟,劳伦斯·菲什伯恩,雷吉娜·金,Busta,Rhymes,杰·R.弗格森,安德鲁·布莱尼亚斯基,特雷弗·圣约翰,亚当·戈德堡,J.,特雷沃·埃德蒙,布里吉特·威尔逊,卡瑞·伍尔,兰道尔·巴蒂尼科夫,Antonio,Lewis,Todd,蒂姆·格里芬,斯基普·奥布莱恩,Dedrick,D.,Gobert,迈克尔·B·希尔维,艾丽西娅·史蒂文森,科琳·菲茨帕特里克,瑞克·艾弗里,摩里斯·切斯塔特
不安分的年轻人们
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主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
916
1958
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
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