猛尸镇

简介：奈克松油田开采深海油田遭到环保界的一致否定，于是克莉丝汀 吉婷斯和他助手摄影师杰克一起去采访该油田负责人彼得 贝瑞雪。期间他们在检查海底吸管的时候意外的发现了史前才有的生物。一日，他们乘坐升降器在海底观测，而潜艇驾驶员麦姿则驾驶潜艇钻孔探油却掉入了一个奇妙的洞穴之中，里面景色光怪陆离，绚丽异常。然而噩梦却开始了，某夜记者克莉丝汀为一阵震动吵醒，于是和杰克及医师兼安全主任帕克斯、工程师麦金尼、潜水员艾略特共同乘坐升降器到海底观察，而麦姿和葛瑞迪则驾驶潜艇，就在这时一个庞然大物出现了，却是存在于六千五百万年前的史前巨鲨巨齿鲨，在葛瑞迪葬身鱼腹之后众人纷纷逃命，却不想巨齿鲨被震动所吸引，不停撞击下，众人不得不解开升降器铁锁，任其上升到海面，由直升机解救，这时麦姿用潜艇在将他们顶到冰块之上后遭到了鲨鱼的攻击终于还是被吞噬掉了，而麦金尼由于在上升过程中脚受了重伤，行动不便也遭到鲨鱼毒手。艾略特悲痛欲绝，在心爱女友和同伴相继遭鲨鱼残害之后，他决定用炸弹灭杀这条史前狂鲨，于是在帕克斯的帮助下，他驾驶潜艇下到海底与鲨鱼一番大战并同归于尽。

简介：超级英雄萌叔为了营救被地宫古魔挟持的芊儿，来到捉妖学院，并结识了御盾忍者、读心小妞、飞毯灵兽人、小魔豆...随着萌叔一行人身世的揭开，他们毅然决然的踏上了降妖除魔的道路。

简介：海王星中某处正在秘密研究制作宇宙中最强、最冷血的生化战士以便征服地球，强是一位星际货柜车的驾驶在宇宙中跑单，某日认识伙伴麦克和辛蒂二人，在同时也得罪了货运站中最强最有势力的公司，急需离开太空货运站的强在地下货运站中接了一批急件送往地球的诡异货物，途中经过小行星陨石区遭受到了陨石强烈撞击，又遭到星际大盗的洗劫，但这次星际大盗强劫了致命的死神，强和麦克、辛蒂三人如何逃离星际大盗和生化战士的魔掌解救地球的毁灭浩劫？

简介：

近未来，科学家们发现太阳急速衰老膨胀，短时间内包括地球在内的整个太阳系都将被太阳所吞没。为了自救，人类提出一个名为“流浪地球”的大胆计划，即倾全球之力在地球表面建造上万座发动机和转向发动机，推动地球离开太阳系，用2500年的时间奔往另外一个栖息之地。中国航天员刘培强（吴京 饰）在儿子刘启四岁那年前往国际空间站，和国际同侪肩负起领航者的重任。转眼刘启（屈楚萧 饰）长大，他带着妹妹朵朵（赵今麦 饰）偷偷跑到地表，偷开外公韩子昂（吴孟达 饰）的运输车，结果不仅遭到逮捕，还遭遇了全球发动机停摆的事件。为了修好发动机，阻止地球坠入木星，全球开始展开饱和式营救，连刘启他们的车也被强征加入。在与时间赛跑的过程中，无数的人前仆后继，奋不顾身，只为延续百代子孙生存的希望…… 　　本片根据刘慈欣的同名小说改编。

简介：A Native American grandmother who lives very simply alone in the desert actually inhabits a world that her half-Hispanic grandson and an aging white magician are surprised to rediscover.

简介：影片讲述了两个珠宝设计师被秘密组织挑选为实验对象，在对抗过程中而发生一系列精彩的故事。年轻有为的珠宝设计师李清晨在一次公司季度珠宝设计中遇上海归设计师刘曼妮，一个是典型的大男子主义，一个是霸道的女权主义者，火花四溅针锋相对的两人在一次绑架案后被命运紧密地联系在一起。面对一系列的身体变异，和黑衣人组织头目“托尼”接二连三的夺命追杀，李清晨和刘曼妮这对欢喜冤家在逃亡的过程中逐渐开始变得彼此信任，而两人也联手揭开了一段不为人知的惊天大阴谋。

简介：公元2025年人类经过一次浩劫后，机战兵团已控制地球，全球经此大战后几近灭亡，但残存的部队依旧火力交战毫无停止的迹象，经年累月的战事已使这个无政府状况下的地球更加无宁日人类的未来、希望，直到2039年的一日…

简介：

　　当一个女人小时候遇到的一个外星人回来夺回留下的东西时，她的目的被重新定义了。

简介：故事发生在1926年的纽约，彼时，麻鸡们对魔法师的抵制达到了最高峰，由玛丽露（萨曼莎·莫顿 Samantha Morton 饰）所领导的反魔法组织活动频繁。与此同时，街头巷尾之中时时发生的种种灾难意外让魔法世界的存在离暴露仅有一线之隔，整个魔法部陷入了空前紧张的气氛之中。　　就在这个节骨眼上，环游世界进行着研究神奇魔法动物之行动的魔法动物学家纽特（埃迪·雷德梅恩 Eddie Redmayne 饰）抵达了纽约，他随身携带的魔法手提箱里，装着几十种他一路营救的魔法动物们，而他的一举一动，均处于隶属于魔法部的前傲罗蒂娜（凯瑟琳·沃特森 Katherine Waterston 饰）的监视之下。一场意外中，麻鸡雅各布（丹·福格勒 Dan Fogler 饰）误拿了纽特的手提箱，并且放出了藏在箱子里的魔法动物，为此，纽特、蒂娜、雅各布和蒂娜的妹妹奎妮（艾莉森·苏朵儿 Alison Sudol 饰）不得不踏上了寻找魔法动物的旅途。

简介：凡妮莎·威廉斯加盟《这个男人来自地球：全新纪》(The Man From Earth Holocene，暂译)。该片是2007年科幻片《这个男人来自地球》的续集。首部主演大卫·李·史密斯、威廉姆·卡特回归。首部中，看似平常的历史系教授约翰实际是史前石器时代的穴居人！首部导演理查德·沙因克曼回归执导续集。

简介：During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen 　　In 1865, during the siege of Richmond, Virginia, the union soldiers POW Captain Harding, Neb and Herbert escape in a balloon during a storm with two confederate prisoners, Sergeant Pencroft and the journalist Spilett. The uncontrollable wind takes the balloon to a mysterious island in the South Pacific in the area of New Zealand. Captain Harding self-proclaims the leader of the group and they look for food; sooner they discover that they are stranded in an island. Further, they are attacked by a giant crab that becomes their first meal. Along the days, they build a shelter and finds that the island is inhabited by giant animals. A couple of days later, they find two castaways on the beach, the aristocratic Lady Mary Fairchild and her sexy niece Elena. Later they find a trunk with weapons and instruments like sextant and shelter with a journal of a man left alone in the island by pirates. When the pirate vessel arrives in the island, they are helped by Captain Nemo of the Nautilus, a submarine that had supposedly sunk in the coast of Mexico eight years ago. Nemo is famous as the man that tried to end strike among man. When the volcano begins activity, they need to leave the island to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.