南希·德鲁和隐藏的楼梯
1.0 |2026年03月16日 |HD中字
简介:
索菲娅·莉莉丝([小丑回魂])将参演华纳打造的新片[南希·德鲁和隐藏的楼梯](Nancy Drew and the Hidden Staircase,暂译)。早在1939年华纳曾打造老版电影。影片故事讲述维多利亚时代,一对上了年纪的姐妹在房里遭遇奇怪事件,而她们更是被指控谋杀。而南希必须找到个中原因,以此还两姐妹清白。该片由艾伦·德杰尼勒斯、杰夫·克利曼制片,预计今年5月展开拍摄。
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简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
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简介:青年海德里希(杰森·克拉克饰)在舞会上对女子丽娜(裴淳华饰)一见钟情,并对丽娜的纳粹思想深表赞同。二人婚后,海德里希通过丽娜的帮助成为纳粹党卫军的一员,开始大肆虐杀犹太人,种种暴行让他成为了“类人猿”行动的清除目标。负责执行刺杀任务的扬·库比斯(杰克·奥康奈尔饰)和约瑟夫·加比希克(杰克·莱诺饰)孤身潜入布拉格,在捷克反抗组织的掩护下着手准备,扬还与少女安娜(米娅·华希科沃斯卡饰)产生了一段凄美的爱情,但残酷的现实却提醒着每一个人时不我待。屠杀仍在继续,刺杀行动也终于开始……
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