她说

她说

HD中字

6.0 |2026年03月16日 |HD
简介:

故事聚焦《纽约时报》女记者乔迪·坎托尔(佐伊·卡赞 饰)与梅根·吐赫(凯瑞·穆里根 饰),她们联手撰写了这个世代最重要的一篇报道,进而引发#MeToo运动,不但揭发了好莱坞数十年来默许的性侵真相,也永远改变了美国文化。   影片根据畅销书《她说:打破性骚扰的故事,帮助点燃了一场运动》(She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement)改编。

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简介:湘四的一个边远小镇砖厂里。砖厂厂长柳门特意赶在巾秋审前给大伙提前发工资。由于砖厂越办越红火,每个工人的工资都有所增加,众人一阵欢呼。这时,远远走来一个背着破包满脸胡子的青年汉自,他就是柳月的丈夫立福。立福因不安于现状在两年前到人城市去闯世界,眼看两手空空而回。阵阵喧闹声中,玉秀的浴室开张了,她正热情地招呼客人。玉秀原是立福的恋人,因嫌立福穷,嫁给了一个有钱的城里人,不料丈夫过早地离开了人世,她又回到了小镇。立福不愿让玉秀看到自己潦倒的模样,急忙躲闪一边,可玉秀已将一切看在眼里。柳月回到家,惊喜地扑入日夜思念的丈夫的怀中,可是,立福却郁郁寡欢,妻子将砖厂办得有声有色,而自己。一个大老爷们却空着双手回来,心里很不平衡。立福决心在小镇办卡拉OK舞厅,向柳月借钱。柳月拿不出钱,立福生气地走了。玉秀赞赏立福的主意,并慷慨地借钱给他。几经周折下舞厅终于开张了。玉秀常去捧场,两人旧情复燃。一天深夜,立福到浴室还钱,玉秀情意绵绵,立福情不自禁将玉秀拥在怀里。全镇人都知道了立福和玉秀的风流韵事,只有柳月蒙在鼓里。好打抱不平的辣婶将真相告诉柳月,柳月伤心欲绝,备了一桌丰盛的洒莱,与立福抟进这“最后的晚餐”,然后毅然离去。这时,人们不满玉秀的所为,玉秀的浴室生意一落干丈。醉醺醺的立福闯进来向玉秀求婚,玉秀冷静地拒绝了他。镇上的大顺和春英举行婚礼,这对新人向柳月敬酒,强作欢颜的柳月推托着。立福来了。接过大顺手里的酒杯,代替柳月一饮而尽。立福和柳月久久对视着……
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主演:艾拉·娜兹莫娃
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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