朱丽叶与魔鬼

简介：Living in Tiger Tail County, Mississippi, middle aged Archie Lee Meighan and nineteen year old Baby Doll Meighan née McCargo have been married for close to two years. Their marriage is not based on love, but each getting what they want from the other. Their marriage agreement has them consummating their marriage on her twentieth birthday, which is in three days, the act to which Baby Doll is not really looking forward. But she does taunt him and other men with her overt baby doll sexuality, the baby doll aspect which she fosters by sleeping in their house's nursery in a crib. Baby Doll's now deceased father allowed the marriage on the stipulation that Archie Lee provide Baby Doll financial security as displayed by the most resplendent house in the south. They currently live in a dilapidated mansion with her Aunt Rose Comfort, and although Archie Lee is making some renovations on it, he no longer has the financial means to make it what Baby Doll wants as his cotton ginning ... Written by Huggo

简介：畅销浪漫小说家琼安（凯瑟琳•特纳 Kathleen Turner 饰）与恋人杰克（迈克尔•道格拉斯 Michael Douglas 饰）本打算前往纽约暂居，但生性浪漫的杰克却想要改变计划，驾船去欧洲航行，这使文思枯竭的琼安进一步怀疑自己生活的真实性。正在此时，琼安的一位读者，埃及大亨欧马（斯皮罗斯•佛卡斯Spiros Focás 饰）邀请琼安到他的宫殿为其撰写传记，并大肆宣扬自己的统一尼罗河部落称帝的计划。与琼安分开的杰克沮丧万分，在集市上偶遇以前的同僚拉尔夫（丹尼•德维托 Danny DeVito 饰）和刺杀欧马未果的尼罗河土著塔拉克（保罗•大卫•马吉德 Paul David Magid 饰），自己的船也神秘被炸。三人决定前往埃及，拆穿欧马的骗局，同时营救琼安……

简介：A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：

九十後女導演李在恩、林智善共同執導，一個喜歡李滄東，另一個卻喜歡園子温。差天共地的電影口味，竟碰撞出如《寒假》般的暑假女生版，跳脫慵懶，活潑厭世，清新搞笑，非常亮眼。三個小鎮高中詩友，畢業後各奔前程，一個去了美國，一個去了首爾，各自追尋詩以外的桃源，留下一個在家鄉，每星期仍堅持視像詩聚，只可惜鏡頭的對面，久未見朋友露面。由十九踏入二十，短短一年卻是人生的分岔口。電影點出階級和城市無形的落差，人與人之間微妙的相遇和相處，總是遊走在隱藏與坦白之間，友情的分岔路上又會是一張怎樣的成績「婊」？

简介：在秦奋（葛优 饰）全然做好与笑笑（舒淇 饰）白头到老的准备之时，笑笑对秦奋的感情却仅仅止步于好感。在秦奋好友李香山（孙红雷 饰）和芒果（姚晨 饰）离婚典礼的启发下，秦奋与笑笑决定试婚。然而，好感毕竟不等同于爱情，共同生活期间，秦奋深沉的爱意 在笑笑那边却变成无形的压力， 两个最后只能分道扬镳。距离远了，感情似乎也就淡了，就在两人似乎已经忘记对方的时候，他们生活的轨迹又一次发生重合。老友李香山罹患重症，在他的人生告别会上，秦奋和笑笑再次相遇，在即将离世的老友点化下，笑笑似乎明白了婚姻的真谛……

简介：从小青梅竹马的阿某与萌萌，遭到了萌萌哥哥大鹏的极力反对，在一次大鹏遇难阿某兄弟等人出手相救之后 几人结为兄弟。 但被父亲接到城里的阿某过上了奢靡的生活，俨然已经忘记过去，不料在一次不经意的斗殴中惹祸上身，危急时刻还是兄弟鼎力相救，而这救回来的不止是阿某的肉体，也救回了他的灵魂。

简介：杂志社受欢迎的狗仔记者刘美力是个英俊的男生，从小在三个姐姐的呵护下长大，为了找会自己的人生，成为金牌记者，美力决定混入社团寻找新闻线索无意中成为飞龙哥司机之后，刘美力发现飞龙哥除了是一位老大之外，还是一名少女漫画作家。飞龙派美力去暗中保护她的妹妹悠悠，由于父亲重男轻女的观念，悠悠决定暗中联同敌对的太子帮老大庄尼密谋造反，夺取社团实权。飞龙为了公司和悠悠，决定完成一场交易，却在关键时刻受到庄尼阻挠，飞龙与美力逃跑后成为了通缉犯。最终，美力与飞龙在姐夫的帮助下，成功的拆穿了庄尼的阴谋，幕后黑手和全部罪犯也被绳之以法。飞龙办了他人生第一场签售会。美力获得了金牌记者，也和悠悠幸福的在一起。

简介：三位大学好友布兰达（贝特•米德勒 饰）、埃利斯（歌蒂•韩 饰）、安妮黛安•基顿 饰）离开大学后各奔前程。但她们的婚姻是相似的，她们各自的丈夫都爱上了别的女人。虽然她们都把青春贡献给了自己的丈夫，协助丈夫名成利就，但她们还是无可避免都被丈夫抛弃了，成为了弃妇。　　三位昔日的好友成为了彼此之间的倾诉对象，难免得同病相怜一番。而她们更做出了一个重要的决定，团结一致的她们要对她们无情的丈夫们实行报复，组成了一支“前期俱乐部”，务求成功执行她们的计划……

简介：

春节临近，村里打算办一场晚会来让村民们欢聚一堂，欢庆新年的到来。这个小山村人才辈出的小山村在外打工的人们听说了村里要办一场热热闹闹的村晚，怀着合家团圆的心情纷纷从外地赶了回来。被骗财的作家耿直（佟大为 饰）意外的被乡亲们认为成了文学奖的获得者，风光的被邀请回乡负责村晚的 文案策划，获奖的误会越传越大，可面对望子成龙的父亲，耿直更是无从澄清。在城里打工的包工头德发（郭富城 饰）偶遇了因为自己的赌瘾而离婚的前妻淑芬（徐静蕾 饰），花样百出挽救婚姻后，二人一起回乡负责春晚的舞蹈节目。在城里梦想成为一名大厨的春树（王宝强 饰）在酒店意外结识了周大厨父女，憨厚耿直的性格更是获取了美女周一楠（王珞丹 饰）的青睐，在经历了周大厨一番考验后成功带着一楠回乡负责村晚的晚宴。而村晚的主办人的资格更是在死对头向成（黄觉 饰）和山喜（张译 饰）之间展开激烈角逐，一场热闹的村...

简介：著名影评人伍岳在京城非常有名气，只要他说好的电影，票房一定大卖。著名美食评论家黄珊也非常有名气，人送外号：活的大众点评。这两个人虽然各自频繁约会，但就是不结婚。这天，伍岳出门开车散心，黄珊赌气开车出家门。伍岳的车撞上黄珊的车，两人在路边产生争执，最后伍岳同意了修车的费用负责，同时伍岳请黄珊吃饭表示歉意。在后来的相处中两人的矛盾再次被激化，互相怀疑互相打击。一天，两人去看电影，看完电影，伍岳写了一篇影评发在网上，不久，因为这篇影评房地产商大牛投资的影片票房惨败，大牛仇视伍岳，对他实施了绑架，绑架的目的就是想让他再写一篇正面影评，伍岳不从，大牛痛哭流涕，说自己资金链断裂，但因为有情怀，所以借了很多钱拍电影，伍岳被感动，答应帮他一次。为了救伍岳，黄珊来到大牛的老巢，两人终于逃出困境，也最终走到了一起。按他们自己的话来说：他们走到一起。也算是“为民除害”了。

简介：“黑疯婆子”系列电影始于2005年，由美国黑人电影人泰勒·派瑞(Tyler Perry)打造。自《疯女人日记》(Diary of a Mad Black Woman)2005年2月上映以来，该系列于14年间推出《黑疯婆子的万圣节》(Boo! A Madea Halloween)、《黑疯婆子的快乐大家庭》(Madea's Big Happy Family)、《黑疯婆子闹监狱》(Madea Goes to Jail)等9部影片，展开一段又一段“黑疯婆子”疯狂搞笑之旅。　　最新亮相的《黑疯婆子的家庭葬礼》，继续由今年50岁的泰勒·派瑞担纲编剧、导演和主演，讲述一场意想不到的葬礼引出家族秘密的滑稽故事。