三个陌生的情人
594
2.0
HD中字
三个陌生的情人
2.0
更新时间:03月16日
主演:埃娃·亨宁,比耶·马尔姆斯滕,比吉特·滕罗特,哈塞·埃克曼,米米·内尔松,本特·埃克隆德,Gaby,Stenberg,纳伊玛·维夫斯特兰德,Carl,Andersson,维克多·安德松,Verner,Arpe,英格玛·伯格曼,Britta,Brunius,Calle,Flygare,Sven-Eric,Gamble,英加·吉尔,Helge,Hagerman,Else-Merete,Heiberg,Laila,Jokimo,Gunnar,Nielsen,Oscar,Rosander,西夫·鲁德,Monica
简介:在1946年,神情不安的芭蕾舞演员Rut陪伴他的丈夫Bertil结束了环意大利的学术访问,回到了瑞典。他们在巴塞尔(瑞士西北部城市,在莱茵河畔)的旅店房间里和火车上发生了争吵,他们把食物扔给了窗外饥饿的德国难民。无意间,他们听到了几个瑞典牧师关于婚姻的几句妙语,最终他们两人重修和好……  在电影主题方面他延续了伯格曼早期电影当中性别对抗以及对婚姻关系的质疑。Rut和Raoul交往的失败以及所导致的不育是剧中关系网的死结,而她后来和丈夫Bertil的结合又产生了Bertil原来的情人Viola的悲剧,这所有一切扭结在一起就像漩涡吞没了生活中的激情。当时伯格曼和她第二任妻子Ellen闹离婚,本片可看作是伯格曼对婚姻的自况。  还有很重要的一点是,《三》是伯格曼早期电影的新尝试,这部电影并不是由故事情节进行推动,而是用人物的心理状态作为电影内部节奏起承转合的离合器,密闭的车厢为人物的情绪主导发挥提供了大舞台。这为他后来更深入的探索奠定了基础。
1412
1949
三个陌生的情人
主演:埃娃·亨宁,比耶·马尔姆斯滕,比吉特·滕罗特,哈塞·埃克曼,米米·内尔松,本特·埃克隆德,Gaby,Stenberg,纳伊玛·维夫斯特兰德,Carl,Andersson,维克多·安德松,Verner,Arpe,英格玛·伯格曼,Britta,Brunius,Calle,Flygare,Sven-Eric,Gamble,英加·吉尔,Helge,Hagerman,Else-Merete,Heiberg,Laila,Jokimo,Gunnar,Nielsen,Oscar,Rosander,西夫·鲁德,Monica
三枪隐情
641
7.0
HD中字
三枪隐情
7.0
更新时间:03月16日
主演:阿克谢·库玛尔,伊利亚娜·狄克鲁兹,伊莎,季普拉,马诺杰·巴杰帕伊,布里杰德拉·卡拉,库玛·米什拉,帕文·马特拉,Arjan,Bajwa,萨钦·克德卡,沙拉德·凯卡尔,泰·赫尔利,坎瓦尔吉特·辛格,Anang,Desai,Usha,Nadkarni,Javed,Khan,安蒂·哈卡拉,维普·K·拉瓦尔
简介:军功卓著的海军副舰长鲁斯特中校(阿克谢·库玛尔饰)在执行为期半年的出海任务,临近尾声时按照司令部的指示提前返回孟买,惊讶地发现他那美丽绝伦的妻子辛西娅(伊莱亚娜·狄克鲁兹饰)竟然与好友维克拉姆(阿然·巴杰瓦饰)有染,怒火中烧的鲁斯特匆匆离家,回到军舰领取了一支手枪,来到维克拉姆家,随着三声枪响,维克拉姆倒在血泊之中。  在检察官罗伯、维克拉姆的妹妹普瑞缇的眼中,本案证据确凿,已成铁案;在媒体人眼中,本案是炒作宝库,赚钱良机;在民众眼中,鲁斯特事出有因,维克拉姆死有余辜。在庭辩的唇枪舌剑中,无人料到其后竟然藏有涉及国家安全的重大内幕……
2310
2016
三枪隐情
主演:阿克谢·库玛尔,伊利亚娜·狄克鲁兹,伊莎,季普拉,马诺杰·巴杰帕伊,布里杰德拉·卡拉,库玛·米什拉,帕文·马特拉,Arjan,Bajwa,萨钦·克德卡,沙拉德·凯卡尔,泰·赫尔利,坎瓦尔吉特·辛格,Anang,Desai,Usha,Nadkarni,Javed,Khan,安蒂·哈卡拉,维普·K·拉瓦尔
不安
703
6.0
HD中字
不安
6.0
更新时间:03月16日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
168
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
不求麻醉药
597
1.0
HD中字
不求麻醉药
1.0
更新时间:03月16日
主演:比涅尤·扎塔西奇斯,埃娃·达尔科夫斯卡,安德烈·瑟韦林,克里斯提娜·杨达,埃米莉娅·克拉科夫斯卡,罗曼·威廉密,卡齐米日·卡乔尔,伊加·迈尔,斯特凡尼亚·伊文斯卡,耶日·斯图尔,玛格达·特蕾莎·武伊齐克,克里斯托夫·科尔思佐诺夫斯基,Danuta,Balicka-Satanowska,Zygmunt,Kestowicz,Tadeusz,Andrzejewski,Krzysztof,Bauman,Teodor,Gendera,Jacek,Kalucki,Michal,Kula,Ryszard,Labedz,
简介:故事发生在六十年代,讲述了长年在外报道第三世界内游击战争、革命演变的著名的通讯记者Jerzy (Zbigniew Zapasiewicz饰演) 生活分崩离析的全过程。角色取材于导演的好友,波兰家喻户晓的著名作家、记者Ryszard Kapuściński.  影片由Jerzy在一个娱乐性脱口秀作嘉宾开场,当晚当Jerzy回到家,却发现他的妻子已带着小女儿跟一个年轻男人不辞而别。Jerzy开始挽救自己的家庭……
65
1978
不求麻醉药
主演:比涅尤·扎塔西奇斯,埃娃·达尔科夫斯卡,安德烈·瑟韦林,克里斯提娜·杨达,埃米莉娅·克拉科夫斯卡,罗曼·威廉密,卡齐米日·卡乔尔,伊加·迈尔,斯特凡尼亚·伊文斯卡,耶日·斯图尔,玛格达·特蕾莎·武伊齐克,克里斯托夫·科尔思佐诺夫斯基,Danuta,Balicka-Satanowska,Zygmunt,Kestowicz,Tadeusz,Andrzejewski,Krzysztof,Bauman,Teodor,Gendera,Jacek,Kalucki,Michal,Kula,Ryszard,Labedz,
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