2001年，昔日叱咤华尔街的戈登（迈克尔•道格拉斯 Michael Douglas 饰）出狱了，无人来接，8年未见的女儿维妮（凯瑞•穆里根 Carey Mulligan 饰）与他势同水火。不过，她的男友——股票交易员杰克（希亚•拉博夫 Shia LaBeouf 饰）却对他有些崇拜。杰克热衷清洁能源项目，但他的老板兼导师路易斯都劝他早日收手，并给了他一笔钱。没想到，公司因负面新闻债台高筑，投资银行的詹姆斯趁机收购。被逼无奈的路易斯卧轨自杀。杰克决心为导师复仇。他向戈登毛遂自荐，希望得到他的指点。戈登了解到他与维妮的关系，便提出了一个交易：杰克给他创造接近女儿的机会，他教杰克如何操作资本。为了复仇，杰克决定铤而走险，然而感情的翻转却让他始料不及

孤独寂寞的罗克尔·戴纽斯沉迷于构建梦境与现实的通道。他希望能够与突然失去的妻子重逢，而唯一的交流机会就在自己奇特诡异的梦境里。在梦里，罗克尔内心深处的痛苦和折磨似乎被大幅减轻。他与当地一个充满好奇的男孩交了朋友，以寻求必要帮助。但是罗克尔的行为举止却被不靠谱的父母举报给了警察。

Koko（郑文雅 饰）的男友（周润发 饰）是香港一名社工，乐于助人。在男友的影响下，Koko也当上了一名社工。Koko虽然能经常帮助别人，但却一直未能改善自己和父亲的关系。Koko父亲刚刚刑满获释，因为不满父亲的所作所为，Koko多次将来向奶奶要钱的父亲赶出家门。一次偶然，Koko认识弱智青年肥猫（郑则仕 饰），肥猫的智商一直保留在童年水平，他和母亲在清贫中度日，整日和街坊一班小孩子玩耍。附近有一个恶霸经常欺负肥猫，周围的人对此亦无可奈何。Koko想帮助肥猫适应社会、自力更生，她最终能成功吗？

三城海滩边，海水冲来一具年轻女性尸体，受害者身上的异常创伤暗示这是一起谋杀案。调查由雄心勃勃、不屈不挠的检察官Leopold Bilski(雅酷朴·盖尔秀 饰)牵头，受害者的母亲和法官Helena Bogucka(玛雅·奥丝塔泽斯卡 饰)也参与了调查。所有线索都指向一个海边夜总会，而这个夜总会和15年前的一桩女性命案 有着千丝万缕的联系。从调查中搜集到的信息和多年来被掩盖的证据，逐渐揭开了三城犯罪的黑暗面纱。Bilski和Bogucka的发现开始让当地警方感到十分棘手。

自从阿乐（任达华饰）当上和联胜办事人后，总算有一个过度性的安宁局面。然而，两年一度的办事人选举又一次即将来临。现任办事人阿乐留恋身份权力，希望说服一众元老和邓伯（王天林饰）修例让其连任。而人马众多的...

The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism.Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no compromises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not compromising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat."I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos