简介：本片围绕四位女性的故事所展开。在印度的乡村，一个从头到脚裹着罩袍的女大学生有着与众不同的信念，一直梦想着成为一名流行歌手；一个年轻貌美的美容师想要逃离小镇的“禁锢”，渴望自由；一个有着三个孩子的家庭主妇不愿只是做一个生孩子的机器，她渴望过上别样的生活；还有一个55岁的寡妇幻想能与英俊帅气的男人有一段罗曼史。在这个守旧的社会中，四位女性渴望打破现实的枷锁，为独立自由而奋斗。

简介：讲述俄罗斯传奇诗人、歌手维索茨基的传记电影

简介：消防战士龙大川因在灭火救援行动中舍己救人轰动整座城市。一时间，龙大川的英雄形象随着电视媒体、报纸杂志走进千家万户。龙大川的英雄举动引起市电视台《寻找超级英雄》栏目的关注，新闻记者罗颖带着摄像张师傅走进消防特勤二中队，旨在做一期龙大川的专访，参加全市110、120、119、999应急行业十名超级英雄的选拔。　　罗记者走进消防二中队当天，在营门口正好碰上石鹏。龙大川成为舍己救人的英雄时，石鹏正好也在救援现场。石鹏接受罗记者采访，面对镜头轻松自如侃侃而谈，殊不知罗记者是奔龙大川而来。当石鹏意识到自己抢了龙大川的“风头”时，尴尬和失意迅速笼罩而来。如果石鹏当时不是正在实施营救，英雄的光环应该戴在石鹏的头上。　　争当“超级英雄”一事，从此成了石鹏和龙大川之间的块垒，同时也在全中队引起广泛影响，战士们以选秀的姿态，踊跃参加罗记者的《寻找超级英雄》节目制作。战士们的积极性像烈火一样被点燃，周队长却在战士们高涨的积极性中意识到事情的严重。为配合电视台节目制作，引导和教育战士们正确认识生命和自我，周队长答应罗记者的采访要求，条件是在中队再找出一名英雄来。原因是，龙大川绝对不是最好的。　　周队长的条件不算苛刻，却着实让罗记者感到犯难，难道中队还有比龙大川更英雄的超级英雄。职业习惯的驱使，让罗记者开始在二中队寻找龙大川之外的另一名英雄。驻队采访的过程中，罗记者几度为龙大川“蹩脚”的表现感到疑惑，同时也为驻队以来没有火情警报提供火场实地拍摄而蹊跷。　　战士们的提醒，给了罗记者申请模拟火场救援训练的机会。模拟训练现场，龙大川和石鹏在周队长设置的“障碍”面前，双双败下阵来。事实胜于雄辩。周队长惋惜而郑重地告诉罗记者，消防中队没有什么超级英雄，有的，只是普通消防兵。　　正在罗记者为自己偏执的选择感到失望时，火情警报将二中队拉到某失火爆炸的化工厂。二中队担任救援任务，罗记者、张摄像冒着生命危险进入火场，给龙大川和石鹏的救援行动带来不必要的麻烦。生命危及关头，周队长及时赶到，以鲜活的事实告诉罗记者，平凡的生命比超级英雄更重要。

简介：《望夫石》（La Pierre de l'attente，1991），陳英雄一部21分鐘的短片，曾經獲得1992年里爾國際電影節（Lille International Short and Documentary Film Festival）評審團大獎

简介：Children come to a hospital to visit their dying father they haven't seen for 8 years. They try to recover their relationships before he dies.

简介：The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：一次撞机后，已经失控的客机的继续飞行在德国上空。撞击点却不得而知，而柏林的中心在精准的计算后，也就是现在，为了阻止灾难的降临，必须将飞机必须击落以获得更小的损失。

简介：This is basically a tale of one woman's (Vanessa Williams) rebellion against tradition and racism in the south. In a time when it is against the law to marry outside your race, Henriette (Williams), and Gerard (Bellows), fall in love and face trials of the law of the land of the day. They plan on moving to France where Gerard is from, where they can marry without any restrictions. Until Henriette's sister falls sick and they are forced to stay in the states. Henriette starts fighting with all her might for the rights of her people and her place in the church. I don't want to give away the ending so I will end this here.

简介：指挥官维尼裘斯（帕维·德朗柯 Pawel Delag 饰）深深的爱着身在罗马的人质公主丽姬娅（玛达琳娜·米尔卡兹 Magdalena Mielcarz 饰），于是，残暴的尼禄皇帝（克兹佐夫·马扎克 Krzysztof Majchrzak 饰）将丽姬娅赏赐给了维尼裘斯为妻。然而，丽姬娅公主是一个虔诚的基督教徒，她不能忍受维尼裘斯靠杀戮和掠夺过活，丽姬娅选择了离开维尼裘斯。　　为了挽回丽姬娅，维尼裘斯找到了基督教的秘密集会处，开始聆听教义，试图理解基督教的核心思想，想通过此走进丽姬娅的内心。当维尼裘斯回宫时，尼禄皇帝正在焚烧罗马城，而丽姬娅就在其中，维尼裘斯闯入火海救出了爱人。皇后非常嫉妒维尼裘斯和丽姬娅之间坚贞的爱情，于是设计陷害。

简介：故事发生在解放战争时期，给地主胡四放牛的李小虎（杨森昌 饰）偶然时刻在山上解救两名我军侦察员。想去敌参谋长（程之 饰）那里邀功的胡四（梁山 饰）得知情况，将小虎一顿打骂，小虎愤然离开胡家投奔了解放军。由于部队连日行军打仗，连长（高正 饰）把小虎暂时寄养在保长周士贵（高笑鸥 饰）家里。一天，周士贵宴请宾客，小虎帮着忙里忙外，不料上莱时发现请得竟然是胡四。胡四发现小虎大喜，他把小虎押往敌参谋长处，敌人对小虎用尽刑罚，逼他说出我部队的线索，小虎咬紧牙关一言不发。胡家丫头阿春（谷瑞玲 饰）也是穷人家的孩子，她帮小虎逃离了虎口。后来在解放杨庄战斗中，我军活捉了敌参谋长，之后采用引蛇出洞之计生擒了胡四......

简介：李奥（吴奇隆 饰）是一位冷静强干的职业杀手，在行业内有着极高的声誉。某日，李奥于无意中遇见了刑警迈克（林志辉 饰），迈克凭借警察的直觉认定李奥就是他一直在寻找的杀手，于是推迟了同女友玛姬（蔡少芬 饰）的婚期，踏上了追踪李奥的旅途。　　李奥患有先天性心脏病，又无奈与杀手界的腥风血雨，萌生了退意，因此遭到了组织的追杀，迈克亦不幸受到牵连。李奥心脏病发作，想要保命唯有换心一个选择，一场紧张的手术之后，李奥的胸膛里，跳动着迈克的心脏。一次偶然之中，李奥遇见了玛姬，胸中剧烈的悸动让他对玛姬展开了热烈的追求。与此同时，黑帮的杀手和警察的追踪将李奥逼入死角。

简介：自然主义电影大师兹沃金·帕夫诺维奇的代表作。　　这部影片毫不留情地展示了生活的阴暗角落，城市阶层的藏污纳垢的场所。细节描写丰富而又很有表现力。主演细致入微地表现一个人在精神堕落、个性解体的过程。有评论者指责作者渲染阴暗面，给生活抹黑，甚至被称为黑片。也有人认为影片表达了作者对这种现象不安的态度，但对消除缺点是有信心的，这使影片能起到动员的作用。

简介：The lives of Mouna, a weather scientist who falls in love with Yaazhan, a quirky and loving guy. What happens to their relationship after a couple of years and how things take an unexpected turn after the arrival of Malarvizhi

简介：A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.

简介：1996年威尼斯电影节Luigi De Laurentiis奖　　1997年西雅图国际电影节新导演奖　　介绍：这部貌似简单而带有记录风格的影片描绘出巴勒斯坦爱国电影人Elia Suleiman的个人寻根之旅。影片分成两部分。第一部分记录下拿撒勒古城中荒谬而寂静的阿拉伯地区。第二部分则用一种相对政治化的眼光观察这个城市，而Elia Suleiman在这部分扮演较为积极的角色。他来到自己的出生地找寻灵感，但他所看到的却是阿拉伯人民深陷在文化身份危机中的一幅幅凄惨的画面。最为显著的一个例子：一位阿拉伯少女想要在自己的城镇里获得比传统妇女更独立的地位，然而却因为居住在犹太区的居民怀有偏见而无法实现。

简介：阿根廷版的“罗生门”。受黑泽明《罗生门》的影响很深，尤其表现在摄影镜头的运用上非常像，讲的是从一件离奇谋杀案中找出真凶的故事，但也有自己的特点。影片改编自阿根廷奇幻文学大师Marco Denevi的短篇小说，由著名剧作家Mario Soffici执导，是一部经典的阿根廷电影。1959年嘎纳最佳影片提名。

简介：故事片。北京电影制片厂1989年摄制。　　隧道工程局五处处长于泰刚，在医院 里接到战友们询问其妻薛莹健康状况 的长途电话，此时薛莹已为隧道事业 献出了生命，但于泰刚却向战友们隐 瞒了实情。此事使刚从医学院毕业的 女医生谢韵深受震动。她来到深山老 林，同隧道工人一起工作。工程局接 受了建设大瑶山隧道的艰巨任务，于 泰刚要求青年工人大炎、罗明等不断 提高文化水平，以便尽快掌握进口的 机器设备。退休调回老家的老工人娄 贤贵，闻讯后重返建设工地。工程进 展迅速，隧道稳步推进，总工程师单 希文、工程师颜修雯正和工人们一起 联欢。斜井大量出水的消息突然传来 ，专家会议决定开挖超前平行导坑。 在组织突击队时，娄贤贵坚决请命， 于泰刚任命他为突击队长。工人们站 在深水中艰苦地操作着，坑内不时发 生塌方，大炎被埋牺牲。平行导坑进 度不断被刷新，经过几个月的艰苦奋 战，眼看胜利在望，娄贤贵不幸被轨 道车压伤身亡。工人们化悲痛为力量 ，继续奋战，终于使我国最长的双线 电气化隧道——大瑶山隧道胜利贯通 。欢乐只是一瞬间，等待着建设者的 ，又将是新的隧道工程。他们又将奔 赴新的战场。　　编剧： 杨韬 导演： 杨国星 摄影： 杨文庆 美术： 郑会文、宋振山 作曲：瞿小松 扮演者 剧中人 扮演者 剧中人 方 舒 谢 韵 刘 钊 单希文 高 明 于泰刚 周谅量 颜修雯 臧金生 大 炎 于绍康 娄贤贵

简介：A pianist named Garvey, while traveling on a tour, gets off the train to buy cigarettes, and learns from a salesgirl that the cities imagined by Grin really exist. Forgetting about his tour, he goes to one of these cities, where he meets the captain of The Waverunner... The famous bard Alexander Galich wrote the script to this film -one of the 1960s best motion pictures. The film features his wonderful songs as performed by Galich himself A ship was sailing from faraway Australia..., Things will straighten out, there's nothing to worry about...... In the 21st century, the cinema will be different; perhaps it's natural. And yet, it's a pity...

简介：本片是文德斯“公路电影三部曲”之一，在1975年荣获德国电影奖多个大奖（最佳导演、剧本、男女演员、摄影、剪辑及音乐等）。　　立志成为作家的年轻人Wilhelm（Rüdiger Vogler）为了摆脱笼罩他的深深的虚无，听从母亲的话踏上旅程，以期找寻到写作灵感。六天的旅行里，他先后结识经过战争洗礼的老人、沉静恬美的“魔术”女孩Mignon（Nastassja Kinski）、漂亮女演员Therese Farner（Hanna Schygulla）、写诗的忧伤胖子等人，并与他们生出短暂友谊、爱情，然而莫名的忧伤和不安仍是紧紧将他跟随，以致走到每个关口时，他都给出错误的选择。

简介：他和她在派对里相遇，相爱，同居，互相讲述童年的回忆、共同的回忆和其他爱的回忆；忧郁男子随处都能看见过往的悲伤，乐观女子则对眼前生活充满热情。俩人的恋情色彩随快乐与否，在一起或分开不断变化，但关系却不照顺序进行，而是依附在不断闪回的记忆场景，借着相异的个性与情绪制造出二种版本的爱情故事。他们的记忆如诗一般流动，情感混合光明与黑暗，并驶于故事轨道上。　　瓦莱里奥・米艾里 ，1978 年生于罗马，是法国、义大利作家、导演兼编剧。他在罗马取得哲学硕士学位，亦获得义大利电影实验中心的导演文凭，同时是欧洲电影学院的成员。2009年首部长片《Dieci inverni》获得义大利银缎带奖，并出版同名小说。

简介：《白云之下》讲述了一对普通的蒙古族牧民夫妻因生活追求的不同而产生的某种生活困境。妻子萨如拉认为美好的生活就是和丈夫在草原上日出而作日落而息，而丈夫朝克图厌烦了枯燥单调的牧人生活，他认为美好的生活不在草原而在远方，瞒着妻子一次次远走他乡……

简介：本杰明是一个这样的人：三次元现实世界中，他是一个十足的屌丝 Loser，难以找到存在感，没有时尚感、没有朋友，也没有女朋友。但是二十五岁的他却是一个的电脑极客，拥有对数字技术不可思议的天赋。而影片中另一位主人公马克思是一个渴望“黑客世界”的潜在革命者，他注意到了本杰明在 网络方面的惊人才华，马克思、本杰明和神童斯蒂芬以及保罗私人组建了黑客组织CLAY，并且为了正义入侵国际安全系统。他们凭借高超黑客技术的所为引起了德国秘密警察组织、欧洲刑警组织的重视，并且一个邪恶的黑客将他们视作威胁，想要将他们除去。本杰明因此感觉到自己正在面临生死攸关的考验，并且他们的目标似乎不值得他付出如此大的代价……

简介：雷克斯霍夫曼（伯纳德-皮亚里·唐纳狄欧 Bernard-Pierre Donnadieu 饰）和女友萨斯吉亚（约翰娜·特尔·斯蒂格 Johanna ter Steege 饰）的感情一直十分要好，一次旅行中，去买饮料的戴安娜突然失踪。人人说失踪只是戴安娜离开杰夫的借口，但这并不能阻 止杰夫追逐寻找戴安娜的脚步。　　一转眼，三年过去了。这三年里，戴安娜依旧音讯全无，杰夫寻找到的全部都只是失望。在所有人都萌生了放弃的念头之时，杰夫接到了一个名叫巴尼（Gene Bervoets 饰）的陌生男人的电话。巴尼告诉杰夫，他知道戴安娜的踪迹并愿意帮助杰夫，但有一个条件，那就是杰夫必须经历戴安娜这些年来所经历过的一切。寻人心切的杰夫接受了这个条件，同时也掉入了巴尼一手设下的圈套之中。