妖街皇后

简介：

一家秘密的苏联研究所结合了科学和神秘实验，旨在创造理想的人。 该研究涉及所有员工：特权量子物理学家，克格勃官员，厨房员工边缘人员和政治上激进的测试对象。 研究所的居民发现自己身处深处的生存危机中，被逼向悲惨和暴力的结局。

简介：　　由长影和团中央联合出品的电影《西单女孩》近日开机，影片根据红遍全国的“西单女孩” 任月丽真实故事改编，由青年导演张勇谋执导，曾荣获第十三届北京大学生电影节最佳新人奖的宫哲担任女主角，流浪歌手川子和爱狗嘟嘟出演男主角。 　　2008年，“西单女孩” 任月丽翻唱《天使的翅膀》视频被传到网上，迅速成为点击率攀升最快的视频之一。她的故事也由此成为当年最温暖的传奇。任月丽随后参加了兔年春晚，被央视等主流媒体称为“百姓歌手”。电影《西单女孩》便来自她当年的奋斗经历，主要讲述了西单女孩任月丽16岁独身闯荡北京，四年以来一直在西单地下通道坚守自己的音乐梦想。同时，影片也讲述了西单女孩走红以后的故事，展示网络红人出名以后面对的种种现实压力，以及如何实现自我突破。

简介：苏格兰女王玛丽（克蕾曼丝·波西 Clemence Poesy 饰）在18岁之前都生活在异国他乡，成年之后，她回到了苏格兰继承了王位。直到这时，这位天真的少女才发现，原来王室的生活除了肉眼可见的奢侈和华贵外，还暗藏着无数的下三路勾当。　　在吃了几回亏之后，玛丽迅速的成长起来 ，逐渐蜕变成为了一位真正受人敬仰的女王，但在此过程中，她失去了太多。为了稳固政权，玛丽被迫借给了英格兰伯爵，但之后，她邂逅了英俊的护卫队长（保罗·尼科尔斯 Paul Nicholls 饰），两人之间很快就碰撞出了爱情的火花。当玛丽女王沉浸在她甜蜜的爱情之中时，宫内亦正在酝酿一个惊人的阴谋。

简介：Midah, Rohayu and Ani are three widows who happen to be die-hard-fans of singer Aiman Zalini. When the singer's last concert is announced, the three ladies try and do everything they can to raise the money for the tickets. They concocted an additive-free, all natural, and non-tobacco vape juice business. Their vape formula proves to be a success and they make enough for the concert tickets. However, unbeknownst to them - their all-natural vape juice has turned many drug addicts sober and this is causing a demand issue for the drug cartel bosses. This in turn starts a zany and hilarious chain of events that will change the ladies' lives forever.

简介：　　李梅是个不见经传的编剧，没有出名的作品， 没有成功的案例，只有自己所谓的“编剧的 坚持”和一个花心出轨的老公。 郝进军，就是这个花心的老公，他已经准备 和李梅离婚了，因为他觉得自己真正是爱着 齐盼盼的。但是，他错了，当他见到老同学 白华的时候，他又被白华的美貌吸引。 正在郝进军准备追求白华的时候，白华死了。 郝进军没有报警，因为他认为杀死白华的， 是李梅和齐盼盼其中的一人，她们也是他爱 的人。 数日后，警方发现了白华的尸体，而负责这 个案件调查的，正是郝进军的儿子——郝建 刚。他是否会查到事件的真相，面对亲情和 正义，他会作何选择。

简介：一名来自美国中部的年轻人的冒险经历和他在一战服役的经历

简介：人头攒动的火车站里，一名男子的身影显得格外突兀，男子名叫杰尼（吉姆·罗斯·斯图尔特 Kim Rossi Stuart 饰），此刻，他正焦虑又激动的等待着他素未谋面的儿子保罗（安德烈·罗西 Andrea Rossi 饰）。保罗天生带有残疾，杰尼此次的目的就是带领保罗去接受更好的治疗。

简介：想凭小聪明一夜翻身的穷小子陆飞（彭昱畅 饰）欠下赌场老板秦海沛（姚橹 饰）巨额赌债，走投无路之际遇上正离家出走的债主女儿秦晓垚（胡冰卿 饰），一场“假绑架，真骗局”的危险游戏正式开启。赌桌之上，谁能笑到最后？

简介：

30年代初，日本帝国主义侵占了我国东北三省。一个寒冷的冬日，日本鬼子在汉奸地主高士家的带领下血洗了黄旗屯。为了报国恨家仇，猎户关云天揭竿而起，与同伴们一起成立了带子军，誓与日寇和汉奸抗争到底！高士家之子高玉臣对关云天的未婚妻二兰子垂涎已旧，关云天进山后，高玉臣趁机对二兰子百般纠缠。一天，二兰子有意将高玉臣引入深山，被关云天的伏兵抓作人质，向高家索要粮食、马匹和枪支。高士家为保儿子性命，只得答应了条件。自此，关云天被百姓誉为“关东大侠”，威震四方。某夜，关云天只身闯入吉顺栈探望料理父亲丧事的二兰子，不幸被高玉臣捉住，并遭到日本人的严刑拷打。危急中关云天拼死夺刀带着二兰子逃出了高家大院。途中关云天被追兵击中，马儿驮着他跑进了深山。二兰子踉跄着回到家中，却又撞上了高玉臣，看见他手中关云天那见弹痕累累的皮袄，二兰子绝望了。为了腹中关家的骨肉，受辱后的她违心地...

简介：

谷平安独自护送人镖小倩去找夫家，却在半途中被以刀疤脸为首的一伙绑匪绑架。王兆兴预感情况不妙，前去营救，竟遇到了曾经在飞鱼营干过的师兄游四。王兆兴向游四打听刀疤脸的消息，不料游四竟向王兆兴隐瞒实情，还指路为马。经过一番调查，以及小师妹保护朝廷刘大人调查官粮囤积案所掌握的信息，众人终于闯入最阔祸首黄布政大人的行宫。在大量证据面前，黄布政和游四的丑恶行径和贪赃枉法不攻自破，刘大人将贪官缉拿归案，游四趁机溜走。王兆兴追出野外，与昔日的师兄展开一番较量，游四终有所顿悟，倔强的他却结束了自己的性命，王兆兴不免感到伤感和惋惜。

简介：戒色师第49代传人姜子玲在一次和纵色族战斗中被屌丝阿星意外乱入而复活了妲己，姜子玲的法力更传到了阿星体内，阿星在姜子玲的逼迫下要成为戒色师并通过戒色训练来阻止妲己企图用直播来吸取全人类精气的计划。但后来阿星却发现自己一直好色的真相竟然是因为子玲在十年前的一次事件让他色气入体从而变得身体无法自控，不过阿星最终明白了子玲的苦衷，他参透了戒色的真谛并不是一个人无欲无求而是两个人真心相爱，两人最终联手消灭了妲己拯救了世界。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.