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简介：蔚蓝晴空，日正当中，中年男子尼尔与家人在墨西哥的度假胜地，享受奢华的悠閒假期。白天在泳池边小酌，晚餐与乐手暗送秋波，一切都十分惬意，直到手机铃声划破空气。电话那头母亲病况危急，大家只好收拾行李，搭上下一班回国的飞机，不料尼尔在登机口找不到护照，只能与家人分道扬镳。走出机 场，尼尔搭上计程车，开往的却不是回饭店的方向，而是市区的破烂旅社⋯⋯。

简介：年轻气盛的牛仔Beauregard Decker（唐·默里饰），和他较富社会经验的朋友Virge（亚瑟·奥康纳饰）一起坐巴士前往参加全国牛仔竞赛，中途在酒店中发现表演女郎Cherie（玛丽莲·梦露饰），惊为天人，马上展开热烈的追求。但他那种蛮横无礼的示爱方式却唐突佳人，使她想尽办法逃脱牛仔的求婚。最后在巴士休息站上，牛仔被友人打醒，才改变作风讨得佳人芳心。

简介：这是Negu Collective的一项实验性作品，所有成员都曾是巴塞罗那高等艺术学院（ESCAC）的学生。

简介：影片以四十年代至七十年代毛泽东壮年至晚年的大量生活细节和情感生活片段为线索，描述了他从陕北东渡黄河解放全中国到重返韶山故里情；从痛失儿子毛岸英至大阅兵等各个情节里的言谈举止，吃饭穿衣，生活中的幽默和睿智，农民式的随便和质朴，以及他与卫士、士兵、农民、亲人、列车员等许多普通人的故事，展现给了观众们一个充满魅力的毛泽东；一个有着普通人喜怒哀乐、儿女情长的毛泽东；一个可亲可近和广大劳动人民有着血肉亲情的毛泽东……

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该片以诗圣杜甫创作凤凰台为引，讲述了三位甘肃成县人士回乡参加乡贤大会时，揭开了一段深埋于记忆长河的往事。

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珍海滋科是一位美丽且勇敢的女教师，她所在的学校有一帮无视校规的坏学生，其中以校园恶霸拉卡斯最为凶狠。由于她经常阻止他们的恶行，所以不断受到拉卡斯及其帮派的威胁和攻击。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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　　“信天翁号"这次要从百慕大的圣乔治港出发，预计八个月后抵达加拉帕戈斯群岛。船上的14位乘客是来自海洋学院的学生。他们的国籍不同，家庭出身背景也不一样，但在船长谢尔顿的带领下，很快学会海上生存必须的本领以及自律和相处的能力，而这一切与船长的榜样力量是分不开的。然而就在航程即将结束的时候，他们遭遇到所有海员都闻之色变的无形飑--一秒钟内风速增加十几米。在白色的巨浪中，存活率据说只有万分之一...影片中的这个故事确曾发生于60年代，编剧的注意点放在了特定环境中的青年们的思想和性格变化上，内心戏配合上优美的摄影，使视觉效果更强烈。

简介：艾诺·布拉斯科维奇伯爵在1848年匈牙利革命之后失去了一切。金克森姆，一匹匈牙利的奇迹之马，全胜56场比赛，无一例外，使他有机会找回一切：复仇、爱情和名声.

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简介：艾薇（奥利维娅·科尔曼 Olivia Colman 饰）和西奥（本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰）是一对表面幸福、实则危机四伏的中产夫妻。